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OVER MY DEAD BODY

The mixture as before, for those who want another round.

Like a pair of Kabuki warriors or comic-book antagonists, DCI William Warwick and archcriminal Miles Faulkner return for yet another round of cat-and-mouse plotting and counterplotting.

Luxuriating with his wife, Beth, keeper of pictures at London’s Fitzmolean Museum, aboard the SS Alden, a liner bound for New York, William is disconcerted when Fraser Buchanan,  the chairman of the Pilgrim Line that owns the ship, dies during a meal. And he’s deeply chagrined when his attempts to prove that the patriarch was poisoned are short-circuited by a burial at sea he’s powerless to prevent. Fear not: This strangely extended prologue’s only connection to the main event is that when the Aldendocks in New York, William skips the wedding he and Beth have been invited to and hastens back to England alone because he's gotten word that Faulkner, reported dead at the end of Turn a Blind Eye(2021), may be enjoying a new life as Capt. Ralph Neville, who’s courting Christina Faulkner, his widow, so that he won’t have to let go of the art collection he left to her. Faulkner, who’s good at these things, slips out of the dragnet Scotland Yard has gathered around him before they can snap it shut, but the ongoing standoff between him and William is more dutiful than engaging. Luckily, longtime undercover DI Ross Hogan, whom retiring Cmdr. Hawksby is grooming as William’s second, develops an altogether more personal reason for going after Faulkner and, at long last, begins to litter the path he blazes to his quarry with the bodies of his agents.

The mixture as before, for those who want another round.

Pub Date: Oct. 19, 2021

ISBN: 978-0-00-847637-3

Page Count: 384

Publisher: HarperCollins

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WARD D

A superior entry in the night-on-the-nightmare-ward genre.

A medical student is assigned an overnight shift to observe a Long Island hospital’s psychiatric ward and help with emergencies. You’d never guess what happens next.

Amy Brenner isn’t even interested in psychiatry, the one medical specialty she’s never considered for her own career. Nor is she interested any more in Cameron Berger, the classmate who ended their relationship so that he could spend more time studying, and she’s not pleased to learn that he’s switched his rotation with another student so he can spend some of the next 13 hours persuading Amy to rekindle their romance. Predictably, Cam will be the least of Amy’s troubles. Apart from Dr. Richard Beck and nurse Ramona Dutton, everyone else on Ward D is much more dangerous, from elderly Mary Cummings, whose knitting needles aren’t plastic but sharpened steel, to William Schoenfeld, who’s stopped taking the medications that were supposed to silence the voices telling him to kill people, to Damon Sawyer, who’s confined in Seclusion One and can’t possibly escape, unless a power outage neutralizes the locks. Most threatening of all is Jade Carpenter, whose close friendship with Amy ended eight years ago when Amy turned her in for what ended up being only one of a whole series of thrill crimes. McFadden measures out the complications, revelations, and betrayals with such an expert hand that readers anxiously trying to figure out whom Amy can trust as her goal shifts from ticking off a toilsome requirement to surviving the night may well end up wondering whom they can trust themselves. And isn’t provoking that kind of paranoia what medical thrillers are all about?

A superior entry in the night-on-the-nightmare-ward genre.

Pub Date: March 4, 2025

ISBN: 9781464227271

Page Count: 320

Publisher: Poisoned Pen

Review Posted Online: Dec. 13, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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