Another colorful novel of intrigue from accomplished Spanish author Perez-Reverte (The Seville Communion, 1998, etc.). The setting is Madrid in 1868: a time of political unrest as self-indulgent Queen Isabelle II’s hold on the throne grows shaky and numerous anti-royalist and revolutionary groups jostle for advantage. At the same time, tradition reposes serenely in the virtually cloistered life of the suave Don Jaime Astarloa, an aging “fencing master” who supports himself by teaching his art to Madrid’s nobility while planning his treatise on “the unstoppable thrust”—to be written as soon as he develops and masters this ultimate skill. A cryptic prefatory flash-forward is followed by some rather turgid (flatly translated?) exposition before Perez-Reverte efficiently places Don Jaime at the center of an exfoliating chain of intrigue whose individual developments are keyed to fencing moves and terms (“The Short Lunge,” “Glissade,” etc.). A beautiful young woman, Adela de Otero, persuades the initially reluctant master to tutor her and proves surprisingly worthy—in crisp, witty scenes charged with erotic tension. A marquis to whom Don Jaime introduces her is murdered under circumstances that point to Adela (who has inconveniently vanished); and a mutilated corpse that appears to be hers is dredged up from a river. A Javert-like police chief (Campillo) and a luckless journalist (Carceles) become involved, and signs both of a plot against the throne and of a murderous double agent deepen Don Jaime’s panic and confusion (amusingly counterpointed by the “eternal polemics” exchanged among his cronies at the ironically named Cafe Progreso). A climactic surprise meeting concludes with the master’s serendipitous performance of that “perfect thrust”—at a decidedly opportune moment. Not quite equal to PÇrez-Reverte’s very best, though it succeeds admirably both as a vivid picture of an unfamiliar culture and as high, sophisticated entertainment.
Pub Date: June 1, 1999
ISBN: 0-15-100181-2
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
Catchy title; too bad the psychothriller behind it—despite the publisher's big push—is a mostly routine tale of cop vs. serial-killer. And it's really too bad for Patterson (The Midnight Club, 1988, etc.) that William Diehl's new thriller, Primal Fear (reviewed above), covers some of the same territory with superior energy and skill. A few charms lift this above run-of-the-mill: Patterson's hero, D.C. psychologist/cop Alex Cross, is black, while his lover, Secret Service honcho Jezzie Flanagan, is white; and the narrative moves briskly by cutting between Cross's ambling account and a sharper third-person tracking, mostly of the killer's movements. He is Gary Soneji—a nobody living a deceptively quiet life as Gary "Murphy"—who has killed 200 people and now wants to commit the Crime of the Century and become Somebody: Soneji/Murphy snatches the daughter of a top actress and the son of the US secretary of the treasury. Enter Cross and Flanagan, whose bad luck at finding kids and kidnapper—who, taunting the cops, kills an FBI agent and gets away with a $10-million payoff, while one of the kids turns up dead—changes only when Soneji/Murphy, cracking up, holds hostage to a McDonald's and is wounded by a cop. Here, Patterson's tale begins to mirror Diehl's: Soneji/Murphy turns out to suffer from the same sensational psychosis as Diehl's villain; and in the ensuing trial, Soneji/Murphy's lawyer pursues a defense similar to that of Diehl's attorney-hero. But where Diehl's villain roars on the page, Soneji/Murphy barely smirks; and while Diehl's courtroom crackles with intelligence, Patterson's is almost transcript-dull. Patterson does wind up, however, with a fine noir twist. Cross is a likable hero, but with a watery plot and weak villain—Hannibal Lecter would eat Soneji for breakfast—he doesn't have much to work with here.
Pub Date: Feb. 1, 1993
ISBN: 0-316-69364-2
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
BOOK TO SCREEN
Like a popcorn action flick: fun but lacking in substance.
Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).
Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.
Like a popcorn action flick: fun but lacking in substance.Pub Date: Feb. 25, 2020
ISBN: 978-1-4926-9775-6
Page Count: 384
Publisher: Sourcebooks Casablanca
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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