This first-person account presents Mohandas Gandhi through the eyes of his then–12-year-old grandson.
Arriving at Sevagram, the ashram Gandhi lived in as an old man, young Arun and his family greet their famous relative and start participating in the simple lifestyle of morning prayers, chores and pumpkin mush. It is challenging for the boy, who misses electricity and movies and dreads language lessons. The crux of the story hinges on the moment Arun is tripped and injured during a soccer game. He picks up a rock and feels the weight of familial expectations. Running to his grandfather, he learns the surprising fact that Gandhi gets angry too. Grandfather lovingly explains that anger is like electricity: it “can strike, like lightning, and split a living tree in two…. Or it can be channeled, transformed….Then anger can illuminate. It can turn the darkness into light.” Turk’s complex collages, rich in symbolic meaning and bold, expressive imagery, contribute greatly to the emotional worldbuilding. Watercolor, gouache and cut paper set the scenes, while fabric clothes the primary players. Gandhi’s spinning wheel is a repeated motif; tangled yarn surrounding Arun signals frustration.
Never burdened by its message, this exceptional title works on multiple levels; it is both a striking introduction to a singular icon and a compelling story about the universal experience of a child seeking approval from a revered adult. (authors’ note) (Picture book/memoir. 4-8)