Never burdened by its message, this exceptional title works on multiple levels; it is both a striking introduction to a...
This first-person account presents Mohandas Gandhi through the eyes of his then–12-year-old grandson.
Arriving at Sevagram, the ashram Gandhi lived in as an old man, young Arun and his family greet their famous relative and start participating in the simple lifestyle of morning prayers, chores and pumpkin mush. It is challenging for the boy, who misses electricity and movies and dreads language lessons. The crux of the story hinges on the moment Arun is tripped and injured during a soccer game. He picks up a rock and feels the weight of familial expectations. Running to his grandfather, he learns the surprising fact that Gandhi gets angry too. Grandfather lovingly explains that anger is like electricity: it “can strike, like lightning, and split a living tree in two…. Or it can be channeled, transformed….Then anger can illuminate. It can turn the darkness into light.” Turk’s complex collages, rich in symbolic meaning and bold, expressive imagery, contribute greatly to the emotional worldbuilding. Watercolor, gouache and cut paper set the scenes, while fabric clothes the primary players. Gandhi’s spinning wheel is a repeated motif; tangled yarn surrounding Arun signals frustration.
Never burdened by its message, this exceptional title works on multiple levels; it is both a striking introduction to a singular icon and a compelling story about the universal experience of a child seeking approval from a revered adult. (authors’ note) (Picture book/memoir. 4-8)Pub Date: March 11, 2014
ISBN: 978-1-4424-2365-7
Page Count: 48
Publisher: Atheneum
Review Posted Online: Jan. 3, 2014
Kirkus Reviews Issue: Jan. 15, 2014
Pedestrian.
Mr. Brown can’t help with farm chores because his shoes are missing—a common occurrence in his household and likely in many readers’ as well.
Children will be delighted that the titular Mr. Brown is in fact a child. After Mr. Brown looks in his closet and sorts through his other family members’ shoes with no luck, his father and his siblings help him search the farm. Eventually—after colorful pages that enable readers to spot footwear hiding—the family gives up on their hunt, and Mr. Brown asks to be carried around for the chores. He rides on his father’s shoulders as Papa gets his work done, as seen on a double-page spread of vignettes. The resolution is more of a lesson for the adult readers than for children, a saccharine moment where father and son express their joy that the missing shoes gave them the opportunity for togetherness—with advice for other parents to appreciate those fleeting moments themselves. Though the art is bright and cheerful, taking advantage of the setting, it occasionally is misaligned with the text (for example, the text states that Mr. Brown is wearing his favorite green shirt while the illustration is of a shirt with wide stripes of white and teal blue, which could confuse readers at the point where they’re trying to figure out which family member is Mr. Brown). The family is light-skinned. (This book was reviewed digitally.)
Pedestrian. (Picture book. 4-7)Pub Date: March 14, 2023
ISBN: 978-1-5460-0389-2
Page Count: 32
Publisher: WorthyKids/Ideals
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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