Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THE STORY I TOLD MYSELF

A deeply emotional story about the Indian diaspora.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In Seeripat’s novel, a desperate Indian woman on the run with her two small children pays a steep price to keep her family safe from the horrors of indentured servitude.

It’s the late 1800s, and the only chance that Shivali Tewari and her family have at survival lies far away on a South African sugar cane plantation in Port Natal (now Durban), where they hope to find work as laborers. Fleeing the misogyny of her native Indian village of Ishapur, Shivali lives only to protect her daughter, Uma, and son, Hari. Although she’s plagued by guilt after killing her violent husband, Shivali will kill again if she must. For weeks, the family bears the oppressive confinement of the holding yard, waiting for the S.S.Umzimkulu to finally fulfill its quota of cheap human labor and set sail for the new land. However, the ship is a nightmarish place where “fights among men and the rape of women and men were regular events with consequences that would haunt us forever.” Themes of brutality are contrasted with those of familial love and kindness throughout Seeripat’s often moving saga. Shivali, Uma, Hari, and newly adopted members of their ragtag family are sent to Thompson’s Farm upon arrival in Port Natal, and they spend the next 10 years attempting to pursue lives of meaning and purpose under the yoke of institutionalized racism and colonial degradation. Seeripat is especially effective at relating the family’s grim odyssey by alternating between the first-person perspectives of Shivali, Uma, and Hari; at one point, for instance, Uma reminds readers, “The English didn’t really want women on the plantations. They were scared we would have babies and then there would be more Brown people than white ones in Natal. Imagine the horror of Brown people taking over!” Shivali’s inner turmoil is truly heartbreaking, and Uma’s unlikely romance with the plantation owner’s son, Richard, is rendered with all the beauty and ugliness that their world has to offer.

A deeply emotional story about the Indian diaspora.

Pub Date: April 12, 2024

ISBN: 9798989650927

Page Count: 280

Publisher: Self

Review Posted Online: May 24, 2024

Kirkus Reviews Issue: July 15, 2024

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 379


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 379


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview