Whitmore (The Bread Winner, 1990) writes about a modern child who is uninterested in the suffering of his ancestors until he is forced to live it. Jordan, told to bring money to the gang he has just joined, steals his grandfather’s pocket watch, which transports him back in time to the days of slavery. He is put to work as a slave on the plantation where his ancestor, Uriah, is a boy. Determined to find the watch—the key to his return—Jordan works in the cotton fields, is whipped, gets sold, and joins the Underground Railroad before finding his way back to his own time, where the gang waits to make an example of him for trying to get out. This is an exciting read; Whitmore packs in as much information about slavery as possible, which only occasionally interferes with the flow of the story. Jordan’s awakening to his heritage and to the consequences of his actions in the present are well done and, in the context of the story, believable. (Fiction. 11-13)
Pub Date: Jan. 1, 1999
ISBN: 0-8037-2384-9
Page Count: 184
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)
Pub Date: Aug. 17, 2010
ISBN: 978-0-06-196955-3
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Aug. 1, 2010
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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