by Aryeh Neier ‧ RELEASE DATE: Aug. 1, 1998
An abiding commitment to justice brings a positive tone to a depressing subject. Neier, former executive director of Human Rights Watch and the ACLU, weaves together the history of human atrocities with recent events in the former Yugoslavia (and, to a much lesser extent, Rwanda), unveiling the appalling fact that despite WWII and the subsequent war crimes trials, at the end of this century brutality is, if anything, worse than ever. The siege of Sarajevo can be distinguished from the ravaging of cities in WWII, for example, because the former’s destruction of nonmilitary targets and civilians cannot be appropriately characterized as collateral damage: “Removing or destroying the civilians and their cultural monuments was the whole point.” Neier’s succinct background summary illuminates the class and cultural animosity that accompanied ethnic hatred and produced a situation in which the prosperous citizens, cosmopolitan values, and mixed ethnicity of Sarajevo were attacked by the relatively poor, provincial, and ethnically pure Serbians. In an attempt to be nonpartisan without flinching from judgment, Neier recognizes that all parties in the Bosnian conflict “committed atrocities” but rejects as “nonsense” any claim that all sides were equally to blame. His real concern is not pointing the finger at an ethnic group, however, but rather the prosecution of individuals. He applauds the establishment of a tribunal to investigate and bring to justice those responsible for atrocities in Bosnia, and insofar as there is a general purpose underlying this effort, it is to promote the formation of a permanent International Criminal Court to facilitate the prosecution of war crimes. Neier’s hopes for future action may reflect an unrealistic confidence that judicial proceedings can produce justice, but given the state of human affairs, the need for justice is undeniable. (2 maps)
Pub Date: Aug. 1, 1998
ISBN: 0-8129-2381-2
Page Count: 288
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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