Short works representative of Byatt’s beautifully evocative prose.
A career-spanning selection of short stories from one of England’s distinctive voices.
Byatt is known for her novels—especially the Booker Prize–winning Possession (1990)—but the short story format suits her beautifully as well. She favors adjective-spangled cascades of images, excavates the dictionary for rare specimens, and sends iambs and anapests cavorting across the paragraphs. A little of this can go a long way (though, as the novels demonstrate, sometimes a lot can go even further). These stories, selected from periodicals and previous collections, present compact versions of her favored themes, preoccupations, strengths, and occasionally weaknesses, and they’re short enough that her densely decorative prose rarely grows wearisome. As readers of Possession and Angels and Insects (1993) know, she has an affinity for the Victorian era; in “Precipice-Encurled,” an ambitious young painter falls in love with the young lady he’s sketching before losing more than just his heart as he pursues a visual idea inspired by one of Monsieur Monet’s new paintings. Disdaining the austerity of modernism, Byatt leaps forward to postmodernism, with its framing devices and art about art. In “Raw Material,” for instance, a pair of exquisite descriptions of Victorian housework—“How We Used To Black-Lead Stoves” and “Wash Day”—are enclosed in a semisatirical melodrama about a creative writing teacher and his students. Many of the stories contain jeweler’s-loupe views of artists and art, whether the artists in question are sculptors, painters, or cooks. Many of the stories address classic feminist questions about women’s work: To what extent are women free to choose how to express their creativity, and how is their work valued? Not all of the stories have aged well; in “The Chinese Lobster,” Byatt’s signature lyrical exoticism is not so charming when she applies it to the proprietors of a Chinese restaurant and the food they serve, and a Dean of Women Students unquestioningly accepting the word of a Distinguished Visiting Professor over that of the graduate student who has accused him of rape feels rather different in the post–Me Too era than it must have to its 20th-century readers. Some of the best stories in the collection are fairy tales or fantasies; in “A Stone Woman,” for example, a woman in mourning for her mother turns to stone—literally.
Short works representative of Byatt’s beautifully evocative prose.Pub Date: Nov. 23, 2021
ISBN: 978-0-593-32158-4
Page Count: 464
Publisher: Knopf
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
IN THE NEWS
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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