THE DJINN IN THE NIGHTINGALE'S EYE

FIVE FAIRY STORIES

Four short fairy tales with a contemporary edge, and one novella-length tale that brilliantly transforms a story of middle- age angst into a celebration of serendipity and sex. Byatt (Babel Tower, 1996, etc.) uses that parallel world of fairy tales—which closely resembles our own in motive, character, and outcome—to explore the sources of hope and imagination. ``The Glass Coffin'' reworks a traditional quest tale as a tailor seeking employment helps a stranger and, as a reward, is given a glass key and certain mystifying instructions to follow that lead him to a beautiful sleeping princess. In ``Gode's Story,'' a young woman is true, while her feckless sailor lover betrays her, only to find his happiness with a new bride short-lived when he sees her among the Dead riding the ocean waves. ``The Story of the Eldest Princess'' is a witty reworking of the quest tale as well as a low-key analysis of the role of fate, choice, and character as a princess steps out of her preordained role in life to rescue her people. And ``Dragon's Breath'' is a wry morality tale about the unsuspected ``true relations between peace and beauty and terror'' revealed when dragons destroy a village. But Byatt is at her best in the novella, about what happens when Dr. Gillian Perholt, in Turkey to attend a conference on stories, is granted the chance to make three wishes, which all come true. Troubled by visions of her mortality and her husband's desertion, fiftyish Gillian buys a dirty but striking old glass bottle and takes it back to her hotel. When she washes it, a handsome Djinn appears, who gives her the younger body she wishes for, makes love to her as she wishes, and after talk, tales, and travels, grants her her third wish. An intelligent detour with an exemplary guide through Keats's ``magic casements'' to fairy land. (Author tour)

Pub Date: Nov. 1, 1997

ISBN: 0-679-42008-8

Page Count: 288

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.

THE HOUSE IN THE CERULEAN SEA

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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