The whodunit twists are fun, at least for a while; the heavy-handed treatment of motherhood not so much.
Women don’t stand a chance in Audrain’s pessimistic suspense novel concerning a child’s mysterious fall from his bedroom window.
Ten-year-old Xavier lies in a coma from which he may not recover. His mother, Whitney, sits silently distraught by his hospital bedside. Months earlier, at a garden party Whitney hosted for her neighbors, guests overheard her berating Xavier through the same open window he’s fallen from. Emergency room doctor Rebecca lives across the street, in a gentrified neighborhood of an unnamed city, and was at that party with her husband. Now Rebecca can’t help asking herself the obvious question: Was it an accident, or did Xavier jump, or was Whitney somehow responsible? As other women from the block come into focus, it becomes clear that Whitney is not the only woman with guilty secrets. (Forget the men, who are given no inner lives.) This is Audrain’s second novel about troubled children and their troubled mothers, following The Push (2021). These mothers, whom childless Rebecca envies—after multiple failures she is desperately, secretly trying again to get pregnant—are all miserable, although their situations vary. Devoting herself to her daughter, who happened to bully Xavier at school the day he fell, Whitney’s friend Blair has given up her career and now feels trapped in a comatose marriage to a man she doesn’t like, yet she panics when she suspects he may be cheating on her. Elderly Mara quietly nurses private anguish over the death of her emotionally delicate son and silently hates her husband for being cruel to him. As the novel’s central force, Whitney is problematic. Not because she is unlikable, has anger issues, or even because she might have hurt her child, but because she is a caricature of the striving careerist with no redeeming characteristics, a bad mother, bad friend, bad wife, serial adulterer, and liar with a pathological lack of empathy.
The whodunit twists are fun, at least for a while; the heavy-handed treatment of motherhood not so much.Pub Date: June 6, 2023
ISBN: 9781984881694
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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