Like a good roller-coaster ride: adrenaline-fueled and terrifying with an underlying feeling that everything will end as it...

THE RULES FOR BREAKING

From the Rules for Disappearing series , Vol. 2

Anna Boyd finally has her name—and her life—back, and she won’t give either up without a fight.

In this follow-up to The Rules for Disappearing (2013), Anna, so thankful to have left the world of witness protection behind, is shocked to learn that she is still being hunted by Thomas, the villain who masqueraded as a federal agent and who inexplicably allowed her and her boyfriend, Ethan, to escape when he might easily have killed them. Before she knows what hit her, Anna, her family and Ethan’s are sent off to hide in a remote wilderness area from which she, Ethan, and her little sister, Teeny, are ultimately kidnapped. The trio is whisked away to a secret location where they learn that they have become pawns in a deadly game of chess being played by assassins, organized crime lords and rogue agents. The implausible but still engaging storyline is jam-packed with impulsive decisions that carry foreseeable disastrous consequences, unexpected betrayals and alliances, and a series of skin-of-the-teeth escapes. Amid the chaos, Anna’s head-over-heels infatuation with Ethan and sweet devotion to Teeny will give readers something familiar they can hold on to.

Like a good roller-coaster ride: adrenaline-fueled and terrifying with an underlying feeling that everything will end as it should. (Suspense. 12-18)

Pub Date: May 20, 2014

ISBN: 978-1-4231-6898-0

Page Count: 320

Publisher: Hyperion

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Thrill-seekers will be absorbed by this exciting story.

THE GIRL IN THE CASTLE

The lives of two girls named Hannah, living in different centuries on different continents, intersect.

Eighteen-year-old Hannah Dory is an English peasant living a harsh existence in 1347. Hannah Doe is a resident of Belman Psychiatric Hospital in 2023 New York City, brought in after being found on the street experiencing hallucinations and screaming something about a castle. Modern-day Hannah periodically enters a catatonic state, something the staff refer to as her “going to the castle.” Columbia psychology student Jordan Hassan is a new intern at Belman, and his interest is piqued by this girl no one knows much about. He decides to play detective and try to discover her history himself. Meanwhile, in the medieval England storyline, Hannah Dory tries to save her village from starvation by sneaking into the baron’s castle but finds herself swept up in a fight between the new baron and his rival. The book sustains a breakneck pace with short chapters and many cliffhangers that will keep readers’ interest. Patterson’s author’s note includes a list of mental health resources and describes his experience of working as an aide in a psychiatric hospital when he was a teenager. The narrative thoughtfully centers mental illness and touches on complex topics like suicide. Whiteness is the default; Jordan is cued as Muslim.

Thrill-seekers will be absorbed by this exciting story. (Thriller. 14-18)

Pub Date: Sept. 19, 2022

ISBN: 978-0-316-41172-1

Page Count: 368

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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