Delightful, romantic fun.
Fifteen notable YA authors take on romantic tropes.
Each entry centers on a familiar romance plot convention—named in the story’s subtitle—with the settings and characters’ identities bringing additional variety. In Laura Silverman’s “The Passover Date: Fake Dating,” 18-year-old Rachel Ableman ropes in her middle school crush, Matthew Pearlman, to attend a chaotic family Seder. In Julian Winters’ “What Makes Us Heroes: Hero vs. Villain,” Black superhero-to-be Shai encounters his estranged friend and maybe-villain-in-training, Kyan, while waiting for his ex-boyfriend. While romance naturally is at the forefront, themes of identity, belonging, and social status are developed in many stories. Some protagonists take on patriarchal norms: Gloria Chao’s “Teed Up: Oblivious to Lovers” sees Taiwanese American Sunny Chang competing as the sole female golfer in a junior championship, while Lili Marin of Lilliam Rivera’s “These Strings: Sibling’s Hot Best Friend” longs to take a creative leadership role in the family business, a Latinx traveling puppet theater. In several stories, characters reflect on gender and sexual orientation. For example, Lev from Mason Deaver’s “Boys Noise: Only One Bed at the Inn” plays hooky and takes a trip to New York City with a fellow member of his boy band; he reflects on being gay and trans and the toll of the professional contract that keeps him closeted. From meet-cutes to frenemies to long-gestating feelings, this anthology offers a pleasurable assortment of love connections.
Delightful, romantic fun. (author bios) (Romance anthology. 14-18)Pub Date: Dec. 7, 2021
ISBN: 978-0-7624-7234-5
Page Count: 288
Publisher: Running Press Kids
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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