edited by Ashley Herring Blake & Rebecca Podos ‧ RELEASE DATE: Dec. 7, 2021
Delightful, romantic fun.
Fifteen notable YA authors take on romantic tropes.
Each entry centers on a familiar romance plot convention—named in the story’s subtitle—with the settings and characters’ identities bringing additional variety. In Laura Silverman’s “The Passover Date: Fake Dating,” 18-year-old Rachel Ableman ropes in her middle school crush, Matthew Pearlman, to attend a chaotic family Seder. In Julian Winters’ “What Makes Us Heroes: Hero vs. Villain,” Black superhero-to-be Shai encounters his estranged friend and maybe-villain-in-training, Kyan, while waiting for his ex-boyfriend. While romance naturally is at the forefront, themes of identity, belonging, and social status are developed in many stories. Some protagonists take on patriarchal norms: Gloria Chao’s “Teed Up: Oblivious to Lovers” sees Taiwanese American Sunny Chang competing as the sole female golfer in a junior championship, while Lili Marin of Lilliam Rivera’s “These Strings: Sibling’s Hot Best Friend” longs to take a creative leadership role in the family business, a Latinx traveling puppet theater. In several stories, characters reflect on gender and sexual orientation. For example, Lev from Mason Deaver’s “Boys Noise: Only One Bed at the Inn” plays hooky and takes a trip to New York City with a fellow member of his boy band; he reflects on being gay and trans and the toll of the professional contract that keeps him closeted. From meet-cutes to frenemies to long-gestating feelings, this anthology offers a pleasurable assortment of love connections.
Delightful, romantic fun. (author bios) (Romance anthology. 14-18)Pub Date: Dec. 7, 2021
ISBN: 978-0-7624-7234-5
Page Count: 288
Publisher: Running Press Kids
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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