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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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THE HARE WHO WOULDN'T SHARE

Giving has never been so gratifying.

Hare is certain that sharing is pointless. Can anything cause a change of heart?

Turnips bring Hare great pleasure, and the cranky, enormous-eared orange creature greedily hoards them: “The more I give away, the less there is for ME.” When newly arrived rabbits inquire if Hare can spare some produce until they get settled, the protagonist doesn’t relent. Other animals pitch in, however, and the newcomers cook stew for all. Their generosity perplexes Hare: Why would anyone with such meager resources offer food to others? Small’s descriptive, third-person narrative contrasts well with the rhyming dialogue. His animation background shines through in clean compositions that are by turn whimsical (a stovetop espresso maker accompanies Hare during nighttime gardening stints) and dramatic. Set against black backgrounds, these nocturnal views showcase vibrant vegetation patterns and introduce danger in the form of a greedy boar who steals the turnips Hare is carrying. As the boar heads toward the rabbits’ carrot crop, Hare hatches a plan to foil the thief and save the day. The sight of the tip of the boar’s menacing snout pushed into the rabbit warren as the new friends cower together is a cinematic marvel. Hare’s transformation is believable, and although our hero’s selflessness results in an empty turnip patch, what the character gains more than compensates.

Giving has never been so gratifying. (Picture book. 4-7)

Pub Date: Feb. 4, 2025

ISBN: 9781665972932

Page Count: 32

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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CREEPY CRAYON!

From the Creepy Tales! series

Chilling in the best ways.

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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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