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NO MOUSIE LEFT BEHIND

From the Agent Binky: Pets of the Universe series , Vol. 2

Astronomically goofy fun.

Agent Binky, a self-appointed Space Cat, undertakes another well-meaning but ludicrous mission.

Don’t be fooled by appearances—Binky isn’t your average suburban feline. He’s part of P.U.R.S.T. (Pets of the Universe Ready for Space Travel), a group of animals sworn to protect earthlings from extraterrestrial interlopers. As the book opens, we find Binky cuddling his beloved stuffed mouse, Ted, and reveling in tummy tickles and butt scratches from his loving, tan-skinned human family. Bliss is brief: “Citrus likealotus. Code name: Fruit Fly” soon invades. Springing into action, Binky carefully places Ted against a screen door—just steps from a banana peel—and begins to chase the “alien” fly. Surprise! Binky slips, launching himself and the screen into “outer space” (the backyard). The cat is swiftly brought back inside by Big Human, so quickly that Binky leaves Ted behind. It falls to Loo the fish to alert Binky that Ted’s still “trapped in outer space” beneath a “floating alien spaceship” (a hive of buzzing bees). Though Binky panics, the P.U.R.S.T. agents assemble, and the usual elaborate preparations and miscalculations ensue. A TV tie-in with the series Agent Binky: Pets of the Universe, this picture book features detailed color cartoons that underscore the characters’ grandiose efforts and farcical failures. Their comical ineptitude not only will elicit giggles—it will also allow young audiences to feel amazingly competent by comparison.

Astronomically goofy fun. (Picture book. 4-7)

Pub Date: May 6, 2025

ISBN: 9781525312649

Page Count: 40

Publisher: Kids Can

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MANGO, ABUELA, AND ME

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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