A well-crafted story of resilience.

WHEN YOU WERE EVERYTHING

Relationships are complicated, but what happens when the bond that brought you solace unravels just when your parent’s marriage falls apart?

Cleo Baker wanders the streets of New York City, drowning her sorrows in jazz-age music and the words of Shakespeare as she mourns the loss of her best friend, Layla, a pain reminiscent of the grief felt for her late grandmother. It felt like fate when they met, and she thought it was in the stars for them to be together forever, but in sophomore year, Layla joined chorus and, over time, chose those girls over Cleo. Cleo was hurt but tried to give Layla her space…until she no longer recognizes her and instigates a vengeful feud. Now Cleo urgently wishes to overwrite the memories of their friendship, but that’s difficult when she’s assigned to be Layla’s tutor. Feeling adrift, she works through the crumbling of her family, navigates a friendship that has grown apart, and learns to trust new friends and see them for who they are, not who she expects them to be. Told in the first person, Woodfolk's (The Beauty That Remains, 2018) novel seamlessly interweaves alternating timelines while making Shakespeare relevant to teens. The author skillfully voices the pain of unexpectedly losing a close friend and explores the choice to remain open despite the risk of future heartache. Cleo is Black and Layla is Bengali.

A well-crafted story of resilience. (Fiction. 13-18)

Pub Date: March 10, 2020

ISBN: 978-1-5247-1591-5

Page Count: 400

Publisher: Delacorte

Review Posted Online: Dec. 15, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

IF HE HAD BEEN WITH ME

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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