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THIS CHAIR ROCKS

A MANIFESTO AGAINST AGEISM

An upbeat, empathetic, and practical guide to becoming “an old person in training.”

A satisfying exploration of how growing older offers significant, rich new experiences.

Applewhite (Cutting Loose: Why Women Who End Their Marriages Do So Well, 1997, etc.), cited by Forbes as one of Forty Women to Watch Over 40, in 2017, argues convincingly that ageism—like racism and sexism—is a form of demeaning prejudice, inaccurately generalizing the experiences of older adults and promoting the idea that old age is repulsive and lonely. Drawing on abundant studies and interviews, she exhorts readers “to wake up to the ageism in and around us, embrace a more nuanced and accurate view of growing older, cheer up, and push back.” Stereotypes of old age—geezer, biddy, codger, etc.—convey negativity. “Those stereotypes,” she writes, “are ours to reject or subvert on the way to more compelling and accurate aspirational identities.” But rejecting such stereotypes should not lead to strategies such as dying hair, applying creams and potions, and taking pills that promise “to erase the trace of time.” Applewhite debunks many prevalent assumptions about aging, including failing memory, weakened physical ability, and overall lack of attractiveness and competence. She notes that forgetfulness “is not Alzheimer’s, or dementia, or even necessarily a sign of cognitive impairment”; rates of dementia are falling, she has discovered, even as the population is aging. Moreover, especially “in the emotional realm, older brains are more resilient,” better able to deal with negative emotions and change. Everyone ages at a different rate, she writes: “There is no line in the sand, no crossover between young and old after which it’s all downhill.” Viewing 60 or 70—or even 40—as the beginning of the end necessarily has an impact on self-image and outlook. Among the author’s suggestions for creating “an all-age-friendly world” are creating increased opportunities for older people to contribute “socially, civically, and economically” to the community; improving research into the biology of aging and the social implications of longevity; and expanding the training of geriatric medical practitioners as well as resources for older learners and workers.

An upbeat, empathetic, and practical guide to becoming “an old person in training.”

Pub Date: March 5, 2019

ISBN: 978-1-250-31148-1

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 6, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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NO NAME IN THE STREET

James Baldwin has come a long way since the days of Notes of a Native Son, when, in 1955, he wrote: "I love America more than any other country in the world; and exactly for this reason, I insist on the right to criticize her perpetually." Such bittersweet affairs are bound to turn sour. The first curdling came with The Fire Next Time, a moving memoir, yet shot through with rage and prophetic denunciations. It made Baldwin famous, indeed a celebrity, but it did little, in retrospect, to further his artistic reputation. Increasingly, it seems, he found it impossible to reconcile his private and public roles, his creative integrity and his position as spokesman for his race. Tell Me How Long the Train's Been Gone, for example, his last novel, proved to be little more than a propagandistic potboiler. Nor, alas, are things very much better in No Name In the Street, a brief, rather touchy and self-regarding survey of the awful events of the '60's — the deaths of Malcolm X and Martin Luther King, the difficulties of the Black Panther Party, the abrasive and confused relationships between liberals and militants. True, Baldwin's old verve and Biblical raciness are once more heard in his voice; true, there are poignant moments and some surprisingly intimate details. But this chronicle of his "painful route back to engagement" never really comes to grips with history or the self. The revelatory impulse is present only in bits and pieces. Mostly one is confronted with psychological and ideological disingenuousness — and vanity as well.

Pub Date: May 26, 1972

ISBN: 0307275922

Page Count: -

Publisher: Dial Books

Review Posted Online: Sept. 16, 2011

Kirkus Reviews Issue: May 1, 1972

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HUMANS OF NEW YORK

STORIES

A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.

Photographer and author Stanton returns with a companion volume to Humans of New York (2013), this one with similarly affecting photographs of New Yorkers but also with some tales from his subjects’ mouths.

Readers of the first volume—and followers of the related site on Facebook and elsewhere—will feel immediately at home. The author has continued to photograph the human zoo: folks out in the streets and in the parks, in moods ranging from parade-happy to deep despair. He includes one running feature—“Today in Microfashion,” which shows images of little children dressed up in various arresting ways. He also provides some juxtapositions, images and/or stories that are related somehow. These range from surprising to forced to barely tolerable. One shows a man with a cat on his head and a woman with a large flowered headpiece, another a construction worker proud of his body and, on the facing page, a man in a wheelchair. The emotions course along the entire continuum of human passion: love, broken love, elation, depression, playfulness, argumentativeness, madness, arrogance, humility, pride, frustration, and confusion. We see varieties of the human costume, as well, from formalwear to homeless-wear. A few celebrities appear, President Barack Obama among them. The “stories” range from single-sentence comments and quips and complaints to more lengthy tales (none longer than a couple of pages). People talk about abusive parents, exes, struggles to succeed, addiction and recovery, dramatic failures, and lifelong happiness. Some deliver minirants (a neuroscientist is especially curmudgeonly), and the children often provide the most (often unintended) humor. One little boy with a fishing pole talks about a monster fish. Toward the end, the images seem to lead us toward hope. But then…a final photograph turns the light out once again.

A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.

Pub Date: Oct. 13, 2015

ISBN: 978-1-250-05890-4

Page Count: 432

Publisher: St. Martin's

Review Posted Online: July 27, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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