An often engaging, if sometimes-clichéd, tale with an acerbic lead.
In Macaulay’s debut contemporary fantasy novel, a monster hunter pursues a yeti in the hostile winter landscape of the Himalayas and discovers the entrance to a hidden world.
Nick Ventner is a blue-collar hunter—a whiskey-soaked, seasoned pro in all things lurking in the shadows. Nick and his apprentice, James Schaefer, think they’re rescuing a village in the Himalayas from creatures called wargs, but it’s not wargs that have been picking off entire teams of climbers. It’s a yeti, and Nick’s nemesis, a rival hunter named Manchester, knows it too. Fueled by competition and the promise of seeing the enchanted region of Shangri-La (which the yeti guards), Nick and James seek to kill the creature and shut Shangri-La’s gates—and find out what riches lie beyond them. The novel uses a framing device similar to David Wong’s 2009 novel John Dies at the End, which works well; the present intrudes into the past-tense story to build suspense or establish Nick’s status as an unreliable narrator. He often embellishes, either intentionally or as a consequence of his alcohol intake; he’s a wonderfully human protagonist who makes mistakes and is ill-prepared for his treacherous journey. He doesn’t know everything, and doesn’t pretend to; instead, he relies heavily on Lopsang, a guide who’s far more than he seems. On occasion, the characterization of supporting characters seems inconsistent, and it sometimes feels as if certain details have been lost or misremembered. The first and last acts are the strongest, with their tight focus and legitimately harrowing situations that include glacial shifts and long-dead climbers. It’s also refreshing to see the mountain itself become an obstacle—one that’s just as deadly as the yeti. The middle, however, is weighed down with clichés, and sometimes feels like a greatest hits of the fantasy genre. Nick himself is a familiar character type, but he’s entertaining, with a biting sense of humor and a beating heart underneath all the bravado. The finale is a great setup for a continuation of a promising series.
An often engaging, if sometimes-clichéd, tale with an acerbic lead.Pub Date: May 1, 2018
ISBN: 978-0-9980211-4-0
Page Count: 308
Publisher: Aberrant Literature
Review Posted Online: May 4, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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