THE PEOPLE'S PLATFORM

TAKING BACK POWER AND CULTURE IN THE DIGITAL AGE

Not to be skimmed. A cogent and genuine argument for the true democratization of online culture.

A filmmaker turns her high-powered intellect not just on the Internet and its effect on our lives, but also on the sociological and economic forces that bend and shape it.

Writer, director, documentary filmmaker, sometime philosopher, political activist and self-described troublemaker—not bad for Taylor, who was unschooled until she was 13 years old and has since become one of the more incisive voices among the multitudes delivering their visions of what the Internet is and might become. In her loquacious but well-defined examination of media culture, the author describes her conversations with a wide range of enthusiasts and doubters, ranging from jazz musicians to economists. She finds that, as opposed to the Kickstarter-fueled utopia that some hugely popular creators predict, when examined en masse, the Web tends to exhibit what Taylor deems a surprising tendency toward monopoly, bent by many of the same problems that have nearly destroyed traditional broadcast media and decimated newspapers. To be fair, she also sees this as an era of adaptation rather than extinction, and she asks the hard questions that often go unanswered—e.g., “Do social media nurture community or intensify our isolation, expand our intellectual faculties or wither our capacity for reflection, make us better citizens or more efficient consumers? Have we become a nation of skimmers, staying in the shallows of incessant stimulation, or are we evolving into expert synthesizers and multitaskers, smarter than ever before? Are those who lose their jobs due to technological change deserving of our sympathy or scorn (‘adapt or die,’ as the saying goes)? Is that utopia on the horizon or dystopia around the bend?” It’s a difficult book to encapsulate simply, one that delves deep into the philosophical nature of people, the complexities of desire, the economics of advertising, the productive chaos of open systems and the value of content in a limitless universe.

Not to be skimmed. A cogent and genuine argument for the true democratization of online culture.

Pub Date: April 15, 2014

ISBN: 978-0-8050-9356-8

Page Count: 288

Publisher: Metropolitan/Henry Holt

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 17


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 17


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview