by Atinuke ; illustrated by Lauren Tobia ‧ RELEASE DATE: Sept. 1, 2017
Readers will be thrilled to discover the next book in the series is already available.
This sixth installment of the Anna Hibiscus series finds Anna leaving the big white house in the city where she lives with her extended family to experience life in Grandfather’s rural village.
As with the other stories, the country is not identified. Possibly it is Nigeria, where Atinuke grew up. This vagueness is somewhat problematic. Africa is a huge continent; implying that all African village life is like Grandfather’s village is something of an oversimplification. On the other hand, not identifying the country avoids geopolitical issues that are well beyond the scope of an early chapter book. In the city Anna lives a protected and somewhat privileged life. In the village she learns the practical reasons for doing things the “bush” way—despite her aunties’ implication that “bush” is bad. The mixed-race girl also experiences prejudice because she is an “oyinbo,” a “light-skinned foreigner,” and realizes that she can both teach the children in the village and also learn from them. Filtered through Anna’s open-hearted innocence these lessons do not feel preachy. It seems perfectly natural that Anna’s spelling words are “equality,” “opportunity,” “cooperation,” and “friendship.” Tobia’s grayscale illustrations parallel the story, with Anna and her winsome smile always at center stage.
Readers will be thrilled to discover the next book in the series is already available. (Fiction. 5-9)Pub Date: Sept. 1, 2017
ISBN: 978-1-61067-679-3
Page Count: 112
Publisher: Kane Miller
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Atinuke ; illustrated by Lauren Tobia
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by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
by Megan McDonald & illustrated by Peter H. Reynolds
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by Dr. Seuss ; illustrated by Dr. Seuss ; introduction by Charles D. Cohen ‧ RELEASE DATE: Sept. 9, 2014
Fans both young and formerly young will be pleased—100 percent.
Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!
All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.
Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)Pub Date: Sept. 9, 2014
ISBN: 978-0-385-38298-4
Page Count: 56
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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