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GO WELL, ANNA HIBISCUS

From the Anna Hibiscus series , Vol. 6

Readers will be thrilled to discover the next book in the series is already available.

This sixth installment of the Anna Hibiscus series finds Anna leaving the big white house in the city where she lives with her extended family to experience life in Grandfather’s rural village.

As with the other stories, the country is not identified. Possibly it is Nigeria, where Atinuke grew up. This vagueness is somewhat problematic. Africa is a huge continent; implying that all African village life is like Grandfather’s village is something of an oversimplification. On the other hand, not identifying the country avoids geopolitical issues that are well beyond the scope of an early chapter book. In the city Anna lives a protected and somewhat privileged life. In the village she learns the practical reasons for doing things the “bush” way—despite her aunties’ implication that “bush” is bad. The mixed-race girl also experiences prejudice because she is an “oyinbo,” a “light-skinned foreigner,” and realizes that she can both teach the children in the village and also learn from them. Filtered through Anna’s open-hearted innocence these lessons do not feel preachy. It seems perfectly natural that Anna’s spelling words are “equality,” “opportunity,” “cooperation,” and “friendship.” Tobia’s grayscale illustrations parallel the story, with Anna and her winsome smile always at center stage.

Readers will be thrilled to discover the next book in the series is already available. (Fiction. 5-9)

Pub Date: Sept. 1, 2017

ISBN: 978-1-61067-679-3

Page Count: 112

Publisher: Kane Miller

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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