This harrowing wilderness adventure story, a first novel, features a refreshingly unlikely heroine: five-foot-one photographer Beryl, who must venture deep into the Canadian Arctic, fend off dozens of the world's largest land carnivores, and survive. The only daughter of elderly, over-protective Bostonians, Beryl lands the job of her dreams when Natural Photography magazine hires her to photograph the polar bears of Canada ``naturally''- -without a telescopic lens, separated from certain death only by the bars of a tiny iron cage set in the snow. Hired not for her talent or experience, but because she's the only applicant small enough to fit inside the cage, Beryl methodically prepares for her assignment by locking herself in the bedroom closet for hours each day. By the time she joins her fellow expedition members—David, a wise-cracking video cameraman who hates the cold; Butler, a macho nature writer; and Jean-Claude, their quiet young guide—Beryl believes she's quite ready to face the Far North's danger and sensory deprivation. In reality, she has no idea what's in store for her. In Churchill, where the bears gather every autumn to hunt on the frozen Hudson Bay, she barely survives her first hair- raising encounter with a bear while accompanying a policewoman on all-night patrol. The stakes increase as the team boards its state- of-the-art Arctic Traveler bus and ventures 40 miles into the wilderness, where Beryl climbs into her cage and takes pictures as hungry bears try to devour her. Facing her deepest fears, Beryl experiences spiritual as well as professional fulfillment, but her sessions are cut short when the ten-foot monsters chew the bus's fuel tanks to shreds, forcing its passengers to hike unprotected across the tundra in a desperate bid for warmth and shelter. Dramatically understated, yet offering several unforgettably vivid descriptions of wildlife encounters, this unusual novel offers high-caliber literary escapism.
Pub Date: April 1, 1994
ISBN: 1-56512-035-3
Page Count: 238
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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