by Audrey Vernick ; illustrated by Colin Jack ‧ RELEASE DATE: July 12, 2016
A quirky friendship story with lots of humor.
A young monster breaks a taboo against friendship—kind of.
Zander’s a normal monster (except for having a sister who’s a fairy—a strange detail that’s part of the book’s deadpan whimsy). And like a normal monster, he doesn’t have friends, though the illustrations imply he longs for connection. However, there’s apparently no injunction against fairies having friends, and his sister has plenty. Instead, Zander enjoys normal monster activities such as scaring children (which the illustrations hilariously suggest fills him with a wicked glee) and...surfing. While surfing, Zander notices a bird watching him. They silently greet each other with nods and points of the chin for a couple days until Zander invites the bird to the sand, whereupon the other monsters notice and mock Zander about his “friend.” Zander denies the friendship, and the hurt-looking bird wings away...but returns the next day. With information gleaned from his sister about friends, the next time he’s mocked, Zander decides that he and the bird aren’t friends—they don’t do everything his sister and her friends do (like “give money to kids who’ve lost teeth”)—they just enjoy spending time together. Jack’s colorful, humorous art makes for active illustrations and engaging characters, aptly complementing Vernick’s gently speculative text. The book ends without explicit acknowledgment of Zander’s friendship with the bird or his desire for closeness, allowing readers to digest the message.
A quirky friendship story with lots of humor. (Picture book. 3-6)Pub Date: July 12, 2016
ISBN: 978-1-4231-9959-5
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Peter Brown ; illustrated by Peter Brown
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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edited by Eric Carle
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