by August Lamm ‧ RELEASE DATE: Oct. 6, 2026
Unlikely to convert skeptics but warmly inspirational for those seeking liberation from their digital devices.
No more screen time.
Lamm was a young artist, posting her drawings for 200,000 followers on Instagram and successfully monetizing her artwork through brand endorsements and magazine assignments, when she accidentally typed the wrong password and was locked out of her account for several months. That’s when she realized that her career, as she writes in this accessible manifesto, was “owned by Meta Inc.” The abrupt break—and the accompanying improvement in mental health—transformed the author into an anti-tech activist, permanently logged off her social media accounts and now using a “dumb phone” without a touchscreen, apps, or internet connection. Observing that people today spend an average of nearly five hours a day on their phones, she asks, “What would you do with a few extra hours a day?…The point is not necessarily to fill them. The point is to reclaim them from technology.” The first part of the book diagnoses “The Problem,” with sections such as “Outsourcing Thought,” “The Cost of Availability,” and “Chasing Convenience.” As Lamm herself acknowledges, her analysis is not new: “Authors have built whole careers on technocriticism.” But, she adds, “Almost without exception, these authors still own and use the very devices they criticize.” She draws on personal experience when she offers “The Solution,” with tips for online messaging (you’ll have to do it from a desktop), getting around (write down directions ahead of time, but prepare to get lost sometimes), shooting photographs (get a film camera and take pictures more deliberately), and dual-factor authentication (“this is one of the trickiest, and most essential, smartphone features to replicate,” she concedes). A section on “The Downsides of Downgrading” recognizes the very real challenges of giving up a smartphone—not least the “special attention and accommodation” required from those around you.
Unlikely to convert skeptics but warmly inspirational for those seeking liberation from their digital devices.Pub Date: Oct. 6, 2026
ISBN: 9798217009077
Page Count: 224
Publisher: Vintage
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Robert Greene ‧ RELEASE DATE: Nov. 13, 2012
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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