by Augustín de Rojas ; translated by Nick Caistor ‧ RELEASE DATE: July 12, 2016
This outsized so-called classic should have stayed in the past.
In this newly translated 1990 book from de Rojas, one of Cuba’s pre-eminent sci-fi writers, sleeper agents emerge from the past to wrest control of the future.
Two hundred years after the Communist Federation defeated the capitalist Empire, two tiny robots awaken underground and burrow to the surface. When 9-year-old Bennie touches one of the robots, it wipes out his personality and memories and replaces them with those of Thomas Babson, a sadistic Empire torturer who lived hundreds of years ago. Now awakened in the future, Babson injects agents’ identities into unsuspecting others. Bennie’s mother becomes Candy, a veteran spy, while psychosociologist Harry becomes Stephen, a man with desires so peculiar (though never described) that he reprograms women’s minds to suit his perverse needs. When Aisha arrives for an appointment with Harry, he hypnotizes her, and she awakens with the personality of Alice—plus Stephen’s additional, depraved sexual programming. Unbeknownst to the agents, Alice is also a spy for the Communists. She escapes from Stephen and the others and eventually teams up with Maya, a “cybo,” whose cybernetic implants have left her emotionless. Together, they forge a plan to take down the newly awakened operatives. Along the way, this bloated story crams in every moth-eaten sci-fi cliché readers can think of—romantic love is aberrant behavior, artificial intelligence gains sentience, people abandon technology to become “primitives”—and limps through them with zero urgency. The female characters are also depressingly retrograde; for example, Alice doesn’t seem to care that her sexual agency was brainwashed away and spends much of her time shrieking about her “love” for Stephen, often while naked or at least topless. Indeed, de Rojas describes virtually every female character’s bare breasts at least once: small breasts, pert breasts, prominent breasts—this book’s got more boobs than a Porky’s film. Meanwhile, the worldbuilding is glutted with details, with tiresome infodumps that go on for pages. Characters drift in and out of the story even as new players keep appearing. With everyone changing names and bodies, keeping track of who’s who becomes a chore.
This outsized so-called classic should have stayed in the past.Pub Date: July 12, 2016
ISBN: 978-1-632-06051-8
Page Count: 640
Publisher: Restless Books
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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