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GLORIA'S VOICE

THE STORY OF GLORIA STEINEM—FEMINIST, ACTIVIST, LEADER

From the Women Who Changed Our World series

Well-intentioned but misses the mark.

In an era of renewed attention to feminism comes a biography of the co-founder (along with Dorothy Pitman Hughes) of Ms. magazine.

Author/illustrator Lewis portrays Steinem’s consciousness-raising journey to adulthood using short declarative sentences in the present tense (“This is Gloria. She has big dreams”), striking a decidedly young narrative tone. Pink predominates in the flowery illustrations, beginning with a young Gloria dancing across a pink typewriter’s keys. Later, after having “a big idea,” she stands, arms akimbo, on the same machine, with the unfortunate result that the scale makes her look like a Barbie. Such infantilization of Steinem and her cause permeates the book, from the persistent use of her first name to text that oversimplifies social concepts. Hearing about the “women’s liberation movement[,] Gloria is curious!” Lack of context will puzzle uninformed children. Underutilized as a journalist, “Gloria feels like a typewriter without a ribbon.” What’s a typewriter ribbon? What does “Ms.” mean, and why was it chosen as a magazine title? Steinem also comes across as a white woman rushing to the rescue, both in India and with her “fearless friend Dorothy,” a black woman, posing next to her with raised fist. The only clue to the sophistication of the subject is backmatter with unsourced biographical detail and “page-by-page notes” that are themselves simplistic: “She learned that change comes from the people and in order to learn, you must listen.”

Well-intentioned but misses the mark. (Picture book/biography. 6-9)

Pub Date: March 6, 2018

ISBN: 978-1-4549-2666-5

Page Count: 40

Publisher: Sterling

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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JUST LIKE JESSE OWENS

A pivotal moment in a child’s life, at once stirring and authentically personal.

Before growing up to become a major figure in the civil rights movement, a boy finds a role model.

Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)

A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)

Pub Date: Aug. 2, 2022

ISBN: 978-0-545-55465-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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