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THE GIRL AT THE CENTER OF THE WORLD

From the Islands at the End of the World series , Vol. 2

Exciting and fast-paced entertainment with a thoughtful subtext asking readers to ponder the interconnectedness of life on a...

This sequel to The Islands at the End of the World (2014) finds Leilani reunited with her family on Hawaii’s Big Island as humanity slowly adapts to the new, post-apocalyptic normal.

In the wake of the events of the first book, Leilani must persuade the Orchid, the extraterrestrial responsible for the global nuclear meltdowns, to absorb the radiation threatening to plunge the planet into nuclear winter. While the island’s peace-loving residents grow crops and barter goods, gangs battle for control of vastly diminished resources—including the antibiotics Lei’s friend Tami desperately needs. Worries mount: material expelled by the Orchid hits Mauna Loa; Lei discovers someone working against her efforts, pushing the Orchid to leave too soon. She’s heartened when the attractive soldier who helped her escape Oahu shows up—but so does the sheriff of Hana, a brutal psychopath with plans for using her powers. Lei’s epileptic seizures are in abeyance, but she fears they’ll return after the Orchid leaves. Sharing its predecessor’s strengths, a suspenseful plot and compelling characters with emotional depth, this sequel effectively depicts the true and lasting costs of violence, even when its use is justified. As in the prior book, the ways the characters react to growing chaos remain entirely convincing, and the setting is vividly realized.

Exciting and fast-paced entertainment with a thoughtful subtext asking readers to ponder the interconnectedness of life on a fragile planet. (Science fiction. 12-18)

Pub Date: Aug. 4, 2015

ISBN: 978-0-385-74404-1

Page Count: 352

Publisher: Wendy Lamb/Random

Review Posted Online: May 11, 2015

Kirkus Reviews Issue: June 1, 2015

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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