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PRISM

James Bond lives again in a wildly improbable, marginally absurd military thriller that forges high-tech hardware and ESP. Armchair military strategist Bay (A Quick and Dirty Guide to War, not reviewed; coauthor of From Shield to Storm, 1992, etc.) reworks the Bond formula, introducing Wesley ``Wes'' Hawkins, a psychic soldier and employee of an ultrasecret extrasensory- perception government spy bureau called ``The Shop,'' managed by a female psychic puppeteer named Chatterly. Wes is ordered to haunt a dingy bar in Toulon, posing as a mercenary, so that he can infiltrate the Texas-based high-tech empire of American billionaire industrialist Coleman Oswald Mosley, a failed presidential candidate and impassioned model railroader. Wealthy enough to own a fleet of 747's and military hardware sufficient for a dozen Third World dictatorships, Mosley wants Wes to assassinate former American President and avid golfer Grover Renwick as well as current President Randall Duncan. To make sure Wes cooperates, Mosley's paramilitary thugs abduct his daughter. What follow are several scenes of artfully executed military mayhem in Bosnia, Somalia, northern Virginia, and Montana in which Wes distinguishes himself. While Mosley and his army communicate by beepers and e- mail, Wes chats with Chatterly by focusing his mental powers on crystals. Alas, Chatterly keeps her powerful thoughts to herself, saying little about the assassination plot or the importunate temptations of Sari, a leggy femme fatale posing first as a French chambermaid, then as a topless Caribbean nymph. Wes also gets flirtatious glances from the President's ``tigress'' wife, Carolyn Duncan, who, we presume, has other things on her mind than universal health care. After some Byronic brooding on the dehumanizing aspects of being manipulated by nasty people, Wes finds the fate of the world in his hands, and also finds himself, his daughter, and the President's son in a hail both of gunfire and psychic blasts. Implausible but readable fantasy for Soldier-of-Fortune fans.

Pub Date: July 17, 1996

ISBN: 0-06-017525-7

Page Count: 240

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1996

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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