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Asylum Heights

A STORY OF LIFE AND LOVE DURING THE DEPRESSION ERA IN CLARKE COUNTY, MISSISSIPPI, AND THE SOUTH

A flawed but strangely engrossing tale that’s sometimes tragic and sometimes farcical.

A Mississippi family survives the Great Depression by making bootleg wine, but one member meets a tragic end in this memoir.

Debut author Moody tells the story of his various family members, particularly his grandfather Pappa Hailes and his Uncle Glen, as they fought to keep the family farm afloat in the 1930s. Pappa couldn’t get a loan to plant his crops after the stock market crashed, so he decided to make wine from wild grapes—a potentially lucrative but risky occupation during Prohibition. Teaming up with a slick banker working off the books, he secured funds and contacts. After a lengthy winemaking process, the hooch was ready and Pappa and Glen hooked up with Mafiosi in New Orleans to sell it. The first load was a hit and the business thrived. Glen befriended the head gangster, Salvatore Palermo, who introduced him to his beautiful young friend, Sybil Mervin, with whom Glen fell in love. On the way back to Mississippi, the couple was assaulted at a roadhouse; Glen killed one of the assailants and hid the corpse under rocks in a river. Sybil soon broke off the relationship and Glen went on to contract syphilis from a prostitute, which eventually led to a debilitating stroke that landed him in a state mental hospital. After a fisherman discovered the dead man’s body, Glen was implicated but got off on an insanity plea; he later committed suicide while suffering from depression. In the end, this is an uneven book that will leave some readers perplexed. The author occasionally interjects himself into the third-person narrative but also includes a great deal of conversation that the young author never could have heard nor recorded. Some of that dialogue, whether it’s fact or fiction, is creaky and unbelievable, as when Glen intones, “I wish you Godspeed.” The book is also prone to clichés (“the wolf was at the door”) and unnecessary detail, such as an explanation of what fishing waders are. However, Moody does offer up many fine and even poetic descriptions of people and places in Mississippi and New Orleans, such as a “warm, hospitable and gentle” Mississippi spring morning, and he effectively leavens this tragedy with humor. The plot also usually proceeds apace despite the tendency to overexplain.

A flawed but strangely engrossing tale that’s sometimes tragic and sometimes farcical.

Pub Date: Nov. 5, 2014

ISBN: 978-1496946867

Page Count: 262

Publisher: AuthorHouse

Review Posted Online: June 16, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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