An electric debut: a must-read for all.
Chronicles the experiences of two Black students balancing family and personal expectations while engaging in the precarious work of organizing.
In 1995, Massachusetts high school senior Gibran’s ambivalent about attending a mostly White prep school. When a talent show performance by White students uses Black rapper aesthetics for cheap laughs, Gibran, quite literally, pulls the plug on it. This small act results in a strong warning: one more “disruption” before he’s expelled. His sympathetic mother reminds him to focus on his Howard University scholarship: “The question is, do you deserve the punishment you’re going to get for giving them what they deserve?” But when Gibran and others who wish to honor the upcoming Million Man March clash with administrators, his choices place him in jeopardy. In 1968, the day after Martin Luther King Jr.’s assassination, Columbia University student Kevin is organizing with the Society of Afro-American Students. They oppose Columbia’s expansion into Harlem, which would displace residents, and, as the Vietnam War rages, they want the university to renounce ties to war research. After reading sensationalized headlines, Kevin’s parents try to dissuade him from further participation in the lengthy, increasingly hostile student-led campus occupation. Allen constructs a vivid narrative that balances both timelines seamlessly and pointedly highlights often overlooked history. The crisp, succinct prose and fully realized characters make this a shining example of how principled research in lock step with exceptional writing creates an unforgettable reading experience.
An electric debut: a must-read for all. (acronyms and organizations, author’s note) (Fiction. 12-18)Pub Date: Aug. 29, 2023
ISBN: 9780593619049
Page Count: 432
Publisher: Kokila
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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