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THE GODS WILL SING OUR SONG

A beautiful, magic-infused love story that doesn’t shy away from harsh realities.

Two Japanese American 17-year-olds find one another in an internment camp as they try to piece their lives back together.

It’s 1942. Ren Hamada has a bad reputation, but he works to help support his alcoholic mother and unwed pregnant sister. The only thing his absent father has ever given him is a small wooden carving of a sacred fox. Violet Aratani has loving parents who own a print shop, and she dreams of studying art in college next year. Then her father is arrested by the FBI, accused of being a community organizer. Before he’s taken away, Otōsan slips Violet an old family heirloom—a small figurine of a deer from Nara. With World War II raging on, the two families are taken to the Manzanar relocation center in the California desert, where the magical relics draw Ren and Violet together. The magic also helps them see the fallen god who lives among them—and who could destroy them all. Freeing him would earn them divine favor, but they struggle amid rising tensions and the camp’s inadequate living conditions. Informed by the author’s family’s experiences, this is a fascinating blend of history, romance, and Japanese mythology. Krause accurately depicts the injustices and hardships experienced by Japanese Americans. Despite some heavy, bleak themes, the story captures the ways people sought joy, love, and happiness even in harsh circumstances.

A beautiful, magic-infused love story that doesn’t shy away from harsh realities. (map, author’s note, photos, discussion questions) (Historical fantasy romance. 12-18)

Pub Date: Sept. 1, 2026

ISBN: 9798217027668

Page Count: 432

Publisher: Delacorte

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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