Readers may wonder who to root for in this disappointing follow-up to one of the best animal stories in years.
Still grieving over the loss of her beau Ragweed of Poppy (1995), the intrepid deer mouse decides to bring the sad news to his family in this uneven, heavy-handed sequel.
Setting out from Dimwood Forest with her hopelessly infatuated porcupine friend, Ereth, Poppy arrives just in time to help Ragweed’s parents and numerous siblings avert eviction. Led by ruthless Caster P. Canad, a crew of beavers has dammed up the nearby brook in preparation for a housing project. The mice have already been flooded out of one home, and their new one is about to be threatened. Saddened—but also secretly relieved to be out from under his brother’s shadow—dreamy Rye dashes out to see what he can do against the beavers, and is quickly captured. Having fallen in love with him at first sight, Poppy organizes a rescue, urging the meek mice to fight back; they do. The bad guys silently depart, and Poppy and Rye set a date. Avi develops his characters to a level of complexity that provides a distracting contrast with the simplistic story, an obvious take on human land-use disputes, and easily distinguishable victims and villains. In language more ugly than colorful, Ereth chews over his feelings for Poppy in several plot-stopping passages, and is last seen accompanying the happy couple back to Dimwood.
Readers may wonder who to root for in this disappointing follow-up to one of the best animal stories in years. (Fiction. 10-12)Pub Date: June 1, 1998
ISBN: 0-380-97638-2
Page Count: 182
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An eminently satisfying story of family, recovery, and growing into manhood.
In this prequel to Newbery Award–winning The Crossover (2014), Alexander revisits previous themes and formats while exploring new ones.
For Charlie Bell, the future father of The Crossover’s Jordan and Josh, his father’s death alters his relationship with his mother and causes him to avoid what reminds him of his dad. At first, he’s just withdrawn, but after he steals from a neighbor, his mother packs a reluctant Charlie off to his grandparents near Washington, D.C., for the summer. His grandfather works part-time at a Boys and Girls Club where his cousin Roxie is a star basketball player. Despite his protests, she draws him into the game. His time with his grandparents deepens Charlie’s understanding of his father, and he begins to heal. “I feel / a little more normal, / like maybe he’s still here, / … in a / as long as I remember him / he’s still right here / in my heart / kind of way.” Once again, Alexander has given readers an African-American protagonist to cheer. He is surrounded by a strong supporting cast, especially two brilliant female characters, his friend CJ and his cousin Roxie, as well as his feisty and wise granddaddy. Music and cultural references from the late 1980s add authenticity. The novel in verse is enhanced by Anyabwile’s art, which reinforces Charlie’s love for comics.
An eminently satisfying story of family, recovery, and growing into manhood. (Historical verse fiction. 10-12)Pub Date: April 2, 2018
ISBN: 978-0-544-86813-7
Page Count: 416
Publisher: HMH Books
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
SEEN & HEARD
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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