An absorbing and captivating novel that bridges the uncomfortable political gap between the Palestinian and Israeli sides.
In his first novel, Mandelman (Talking to the Enemy: stories, 2005) writes of identity, intrigue, Israeli politics and murder.
On learning of the murder of his father, David Starkman, an ex-pat now living in Canada, returns to Israel to find that his father’s will has put him under an unusual obligation—to produce a play, The Debba, within 45 days of his father’s death, a play that had been performed only once before, in 1946, and had at that time created a riot. (A debba is a mythical shape-changing beast from Arab culture, one that can turn from a hyena into a man. While Arabs see it in heroic terms, Israelis see it as inflaming political tensions.) Starkman is so bitter about being both Israeli and being his father’s son that at first he willingly forgoes the opportunity to produce the play even though he will only realize his modest legacy of $65,000 if he meets the theatrical obligation. He believes it’s just not worth the trouble, but after reading the play he begins to get intrigued by the possibilities. In Canada he left behind his girlfriend, Jenny, but once back in his home country he begins a torrid affair with Ruthy, an old flame (also an actress) now engaged to be married to his best friend Ehud. The novel follows multiple narrative threads, from policemen trying to crack the case of the father’s violent end to the endless difficulties of getting the play on the boards. Actors are threatened or physically assaulted, possible venues for staging the play are vandalized, young Israelis—followers of radical rabbi Meyer Kahane—protest the whole idea of putting on the drama…and this action plays out against the backdrop of the 1977 Israeli elections. Through it all Starkman perseveres, moving from cynical indifference to rabid commitment. Along the way he finds out secrets about his identity and especially about his father’s past.
An absorbing and captivating novel that bridges the uncomfortable political gap between the Palestinian and Israeli sides.Pub Date: July 13, 2010
ISBN: 978-1-59051-370-5
Page Count: 368
Publisher: Other Press
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
