A passable heist novel with elements of romance and intersectional feminism.
A makeup artist finds herself involved in a massive fraud scandal after a case of wrong place, wrong time.
Sisters Violet and Lily couldn’t be more different. Violet left their small town in Trinidad as a young teen with a scholarship to a New England boarding school. From then on, she spent her time working to fit in as an American, to the point that now, as an adult, she's ready to marry into black American royalty. Lily, on the other hand, has all the things that could embarrass her sister: a stripper’s body and the job to go with it, an outspoken nature that has led to the formation of a strippers union, and an accent that can’t hide her foreignness. But Violet and Lily have to work together when an act of kindness leaves Violet the No. 1 suspect in a federal fraud case. With the help of several friends, including an old friend from Harvard who sparks new chemistry, Violet does what she has to do to get her name cleared. While the plot is compelling, de León (The Boss, 2017, etc.) prefers to bounce around in the timeline and between characters. This constant motion can take a reader out of the story, but the character development keeps things interesting. While the primary story involves an investigation and a minor heist that will feel familiar to readers of de León's Justice Hustlers series, the romantic elements may draw in new readers. The explicit sex is clinical and doesn’t always add to the progression of the story. The book has a satisfying ending, though, and should leave most readers interested in the next step for the stripper collective, if not for any of the romantic pairings.
A passable heist novel with elements of romance and intersectional feminism.Pub Date: May 29, 2018
ISBN: 978-1-4967-1576-0
Page Count: 352
Publisher: Dafina/Kensington
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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