A timely, well-crafted tale, imbued with cultural and personal sorrow.
A family’s tangled past comes to light.
In her debut novel, Israeli Canadian memoirist and short story writer Tsabari gently unfolds two narratives: one about young Yaqub and Saida, who fall in love in an Israeli camp for Yemeni immigrants in 1950; the other about Zohara Haddad, a graduate student, newly divorced, who returns to Israel from New York in 1995 after her mother, Saida, dies. The teenage Yemeni lovers are ill-fated: Saida is married with a child, and when her husband discovers the relationship, Yaqub is forced to flee. A few months later, Saida suffers an even more devastating loss. Forced to place her tiny son in the camp’s nursery, she cannot find him one day when she goes to breastfeed. Although she’s told that the child became ill and died, Saida, for the rest of her life, nurses the hope of finding the baby, whom she’s certain was put up for adoption. Zohara discovers the complexities of her parents’ lives when she cleans out her mother’s house: Tapes of her mother singing unfamiliar love songs, a mysterious photograph, and stories written in someone else’s hand all reveal long-hidden secrets. Tsabari sets Zohara’s story in the context of the social and political unrest that has long vexed Israel and Palestine. The Oslo Accords have just been signed, inciting ferocious protests. Tensions flare between Ashkenazi Jews and Yemeni Jews, and stereotypes and superstitions abound. “Maybe,” Zohara thinks, “Israeli anger was also a manifestation of helplessness, of grief. This was a nation of migrants, exiles and survivors, people who fled from genocide and persecution only to arrive at this place where wars never end….” With Zohara as a central character, Tsabari examines the effect of loss on a woman struggling to define herself as a Jew, a scholar, and an Israeli.
A timely, well-crafted tale, imbued with cultural and personal sorrow.Pub Date: Sept. 10, 2024
ISBN: 9780812989007
Page Count: 352
Publisher: Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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