An absorbing crime yarn.
A divorced American detective tries to blend into rural Ireland in this sequel to The Searcher (2020).
In fictional Ardnakelty, on Ireland’s west coast, lives retired American cop Cal Hooper, who busies himself repairing furniture with 15-year-old Theresa “Trey” Reddy and fervently wishes to be boring. Then into town pops Trey’s long-gone, good-for-nothing dad, Johnny, all smiles and charm. Much to her distaste, he says he wants to reclaim his fatherly role. In fact, he’s on the run from a criminal for a debt he can’t repay, and he has a cockamamie scheme to persuade local townsfolk that there might be gold in the nearby mountain with a vein that might run through some of their properties. (What, no leprechauns?) “It’s not sheep shite you’ll be smelling in a few months’ time, man,” he tells a farmer. “It’s champagne and caviar.” Some people have fun fantasizing about sudden riches, but they know better. Johnny’s pursuer, Cillian Rushborough, comes to town, and Johnny tries to convince him he could get rich by purchasing people’s land. Alas, someone bashes Rushborough’s brains in, and now there’s a murder mystery. The plot is a bit of a stretch, but the characters and their relationships work well. Trey detests Johnny for not being in her life, and now that he’s back, she neither wants nor needs him. She gets on much better with Cal. Still, she’s a testy teenager when she thinks someone is not treating her like an adult. Cal is aware of this, and he’s careful how he talks to her. Johnny, not so much: “I swear to fuck, women are only put on this earth to wreck our fuckin’ heads,” he whines about Trey’s mother, briefly forgetting he’s talking to Trey. The book abounds in local color and lively dialogue.
An absorbing crime yarn.Pub Date: March 5, 2024
ISBN: 9780593493434
Page Count: 480
Publisher: Viking
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
SEEN & HEARD
Answers are hard to come by in this twisting tale designed to trick and delight.
Three siblings on very different paths learn that their family home may be haunted by secrets.
Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.
Answers are hard to come by in this twisting tale designed to trick and delight.Pub Date: April 30, 2024
ISBN: 9798212182843
Page Count: 270
Publisher: Blackstone
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.
A sweeping exploration of choice, chance, class, race, and genetic engineering in three generations of a Chinese American family.
Khong’s follow-up to her sweet, slim debut—Goodbye, Vitamin (2017)—is again about parents and children but on a more ambitious scale, portraying three generations in what feel like three linked novellas, or somehow also like three connected gardens. The first begins in 1999 New York City, where Lily Chen stands next to a man at an office party who wins a big-screen TV in the raffle. He insists she take it; he is Matthew Maier, heir to a pharmaceutical fortune, and has all the TVs he needs. On their first date, they go to Paris after dinner, and as this section ends, they’ve had their first child. The second part of the book moves to 2021 on an island off the coast of Washington state. It’s narrated by Lily’s now-15-year-old son, Nick; his father is nowhere in sight, at least for now. The closing section unfolds in 2030 in the San Francisco Bay Area. It’s told by Lily’s now elderly mother, May, with an extended flashback to her youth in China during the Cultural Revolution and her first years in the U.S. As a budding scientist, May was fascinated by genetics. Of the lotus flowers she studied at university, she observes, “Raindrop-shaped buds held petals that crept closer, each day, to unfurling. As humans we were made of the same stuff, but their nucleotides were coded such that they grew round, green leaves instead of our human organs, our beating hearts.” This concern for how and why we turn out the way we do animates the book on every level, and along with science, social constructs like race and class play major roles. Every character is dear, and every one of them makes big mistakes, causing a ripple effect of anger and estrangement that we watch with dismay, and hope.
Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.Pub Date: April 30, 2024
ISBN: 9780593537251
Page Count: 416
Publisher: Knopf
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
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