A fast-paced thriller with its finger firmly on the pulse of contemporary social discourse.
An aspiring literary translator attends a mysterious language school in the hopes of advancing her career only to discover the institution harbors a dark secret.
Londoner Anisa Ellahi was born and raised in Pakistan but moved to England for college. Nearly two decades on, she subtitles Bollywood films for a living but dreams of parlaying her linguistic skills into more stimulating, meaningful work. When she meets future boyfriend Adam at a translation studies conference, she is captivated by his savantlike ability to speak nearly a dozen languages, including Mandarin, Italian, Russian, and Japanese. They soon move in together, adopt a kitten, and begin considering marriage. Despite Anisa’s best attempts, however, Adam is strangely incapable of mastering even basic phrases in her mother tongue, Urdu. During a trip to Anisa’s home city of Karachi, a dispute forces Adam to come clean. He’s no wunderkind. He has taken courses at an elite, enigmatic school known as the Centre that promises total fluency in any language within 10 days, for a hefty fee, of course: $20,000. More than willing to cough up the money for a chance at realizing her ambitions, Anisa persuades Adam to recommend her for the program. When Anisa arrives at the Centre after an exhaustive application process, she finds a secluded retreat that follows a strict schedule and forbids almost all social contact in the service of achieving optimal results. Her efforts to find out more about the school eventually turn up disturbing truths about the Centre’s methodology and jeopardize her close relationship with a staff member. Filled with astute insights into life as a brown person in a predominantly White country and how differences of class, religion, and nationality can bring about rifts in solidarity between people who share a racial or ethnic background, the novel offers a mystery rife with social critique, though it could have done more to scrutinize Anisa’s own sources of privilege, particularly in relation to Adam.
A fast-paced thriller with its finger firmly on the pulse of contemporary social discourse.Pub Date: July 11, 2023
ISBN: 9781638930549
Page Count: 288
Publisher: Gillian Flynn/Zando
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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