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Portals, Passages & Pathways

BOOK 1: IN THE LAND OF MAGNANTHIA

Moderately entertaining, somewhat derivative YA fantasy.

In Maul’s debut novel, two small-town teenage protagonists travel from Earth to a magical fantasy world to settle its destiny—and theirs.

One of the teenagers is a “chosen one” of sorts, young Simon Whittaker, whose best friend and her family have been watching over him until he assumes his role as a guardian of the war-torn land of Magnanthia, which waits beyond a sorcerous portal. Chosen by the Ring of Affinity for its own mysterious reasons, Simon journeys through the portal to uphold the faith of those who still believe in the guardians. But he must survive many perils as well as hard training by strange new companions—a swordsman, a ranger, a wizard and a cleric. At the same time, teenager Jak Jakobsin is dragged through the portal by servants of the overlord of Bedlam, who plots to ruin Magnanthia with sinister magic and an army of the walking dead. Jak is seduced by the power of evil wizardry and soon becomes a formidable up-and-coming sorcerer. The wild card in all of this is King Elderten of Magnanthia, who blames the guardians for the death of his queen. He seeks to kill the guardians, endangering Simon and unwittingly playing into the hands of the powers of Bedlam. Competently written, the novel delivers believable characters and serviceable dialogue. The pacing is fine, although the transition between Earth and Magnanthia doesn’t happen until roughly halfway through the book, draining narrative force. Most of all, the worldbuilding is typical: The novel borrows, sometimes too heavily, from Dungeons & Dragons, C.S. Lewis’ Narnia series and Harry Potter.

Moderately entertaining, somewhat derivative YA fantasy.

Pub Date: April 24, 2014

ISBN: 978-1493703821

Page Count: 478

Publisher: CreateSpace

Review Posted Online: Oct. 17, 2014

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SONGS OF THE DEAD

From the Strata Wars series , Vol. 1

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

After being murdered and inexplicably reborn, a heavy metal musician sets out on a journey of self-discovery with nothing short of the future of humankind at stake in the first installment of Sanderson and Orullian’s Strata Wars saga.

Jack Solomon is not having a good day. After moving to London from the mean streets of Los Angeles and starting a metal band called the Hounds of Winter, he’s been kicked out of the group just weeks before they’re scheduled to open for Black Sabbath at Wembley Stadium. While Jack is walking with his good friend Henry Wilkinson—a father figure of sorts who has mentored Jack over the years and owns the music venue the Iron Horse—they are both shot and (seemingly) killed. Then Jack regains consciousness and finds himself in a hellscape with a massive mountain of fire in the distance and countless human statues everywhere. After Henry appears in the vision, telling Jack, “You’ve got more to do,” Jack awakens in front of Henry’s flat, unharmed but covered in blood. With Henry’s body missing, Jack begins to understand his new reality: He’s a thanatist (don’t call him a necromancer) and Henry’s venue hides an entrance to the Strata—“several long periods of London history that have coalesced to form layers of the past.” The Strata are inhabited by gruesome creatures and millions of memories, and Jack discovers that someone wants to take over the Iron Horse, with its staircase to every level of the Strata, and begin a revolution where music (curated by a madman) can change the future of humanity. The many shoutouts to legendary bands notwithstanding, this novel is powered by two elements: the exceptional worldbuilding of the subterranean Strata, whose potential is virtually limitless; and Jack’s deeply personal healing journey, which includes forgiving others—like his mother, who abandoned him—and himself. Jack’s story arc is comparable to his adventures in the Strata: The deeper he descends into the Strata, the deeper he delves into himself.

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

Pub Date: June 16, 2026

ISBN: 9781668068144

Page Count: 464

Publisher: Saga/Simon & Schuster

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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