by Baltasar Magro ; illustrated by Dani Padrón ; translated by Jon Brokenbrow ‧ RELEASE DATE: Nov. 12, 2019
Trippy ant conservation from Spain.
Will the inhabitants of an anthill constantly under attack by two children find a way to stop the violence?
This is one weird book, but it’s not without merit. The art and text complement each other perfectly, creating a world that evokes Latin American magical realism, the visual distinctiveness of Lane Smith’s art, and the worldbuilding of the movie Antz. At the outset, the cartoon ant pictured on the cover—with mustache, eyebrows, and gold star on his blue uniform—is shown in “the deepest part of the anthill,” which includes ant-proportioned decor such as ceramic urns and a potted plant. Gen. Ant has been performing the task of food storage but interrupts himself when he learns of an imminent attack on the anthill. He sends an order to soldier ants by “sending a special aroma signal that wafted through the many tunnels and caves in the colony.” (Throughout the book, facts about ants are thus interspersed with tongue-in-cheek descriptions.) White-presenting siblings Chloe and Jack—whose large, round, white eyeballs have turquoise irises plopped in the middle like the yolks of fried eggs—make a game of poking anthills and squishing ants. Gen. Ant, a captain, and a flying ant devise a plan to stop the children. Via the flying ant’s subliminal invasion of Jack’s dream, the text becomes suddenly didactic, with an ending so abrupt readers may think an army of ants has removed the final pages. Still, it’s great fun, and its clearly stated message is inarguable.
Trippy ant conservation from Spain. (Picture book. 3-6)Pub Date: Nov. 12, 2019
ISBN: 978-84-16733-48-4
Page Count: 28
Publisher: Cuento de Luz
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: Sept. 3, 2019
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...
Ruby is an adventurous and happy child until the day she discovers a Worry.
Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-1-5476-0237-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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