Pakistan-born Sidhwa—who created the endearing Junglewalla clan in The Crow Eaters (1982)—limns the more sobering experiences of one of the clan's descendants in the States. A member herself of the ancient Parsi sect to which the Junglewallas—as well as the protagonist here, Feroza Ginwalla- -belong, Sidhwa makes this sect one of the many strands that affect young Feroza as she seeks to make a new life for herself. The only daughter of affluent Fareen and Cyrus Ginwalla, 16-year-old Feroza has enjoyed an indulged childhood. But when Fareen, uneasy with the growing fundamentalism in Islamic Pakistan, sees even her fearless and self-willed daughter sympathizing with the new dispensation (Feroza objects to Fareen's wearing a sleeveless sari-blouse), she decides to send the girl to the US for a three-month visit with her young uncle Manek, an MIT student—a visit that turns into four years at college and the decision to settle in the country Feroza loves ``despite her growing knowledge of its faults.'' It is the anatomy of the decision to stay on that makes this book so distinctive, as Sidhwa contrasts the warm, loving world of family and religious faith back home with the difficulties of Feroza's adjustment in a strange and colder place. The decision is based not only on the comforts the US offers but also, especially for a woman, on its tolerance and freedom. And though her love affair with a Jewish student falters over irreconcilable religious differences, Feroza realizes that one day she might marry—but now ``more sure of herself, she wouldn't let anyone interfere.'' Understandably less exuberant than Sidhwa's first novel (though scenes back in Lahore recapture some of the wry affection for family eccentricities)—but, still, Feroza exactly reflects the dilemmas of those born in the Third World who can flourish only in another.
Pub Date: Oct. 1, 1993
ISBN: 0-915943-73-5
Page Count: 384
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
BOOK REVIEW
A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy,...
Britisher Haddon debuts in the adult novel with the bittersweet tale of a 15-year-old autistic who’s also a math genius.
Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor’s dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he “would like to read himself”—and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears’s dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can’t stand to be touched—any more than he can stand the colors yellow or brown, or not knowing what’s going to happen next). Christopher’s father bails him out but forbids his doing any more “detecting” about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother’s “death,” his father’s own part in it—and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds—his mother. How can this be? Read and see. Neither parent, if truth be told, is the least bit prepossessing or more than a cutout. Christopher, though, with pet rat Toby in his pocket and advanced “maths” in his head, is another matter indeed, and readers will cheer when, way precociously, he takes his A-level maths and does brilliantly.
A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy, moving, and likely to be a smash.Pub Date: June 17, 2003
ISBN: 0-385-50945-6
Page Count: 224
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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