A girl and her father, both brown-skinned, hike to the “tippy top” of a mountain in Saint Lucia.
“It’s a great day for watching futbol,” says Daddy, but his daughter wants to go hiking, and she’s raring to go. Dad reminds her that they have to pack their knapsacks. Soon after, they’re off! As they leave their seaside village, the girl shoots ahead eagerly while her father paces himself. Ascending the lushly forested slope, they admire tropical flora and fauna. Dad struggles and pauses to rest, but the spirited girl is undaunted; full of joyful abandon, she leaps over boulders, skirts the insects that attack Dad, and uses a vine to swing across a river, much to her father's dismay. There are mishaps (nothing too serious!), but the pair persist and “mouté! Climb on!” Paul’s text is narrated with brio and exclamations aplenty. Short sentences create a sense of urgency that mirrors the girl’s excitement and haste. Saint Lucian Creole words appear throughout and are glossed in-text, adding cultural authenticity; unfortunately, the words are othered with italicization. Alcántara’s signature motion-packed art, rendered vibrantly in pencil, marker, and gouache with digital touches, lends itself well to a story centering physical activity. Varying visual perspectives allow readers to better feel the characters’ emotions and appreciate the spectacular setting. A surprise seek-and-find challenge at the end can be enjoyed by a broad age range.
A lovely—and needed—book about the rewards of persistence and Black people enjoying nature. (Picture book. 3-6)Pub Date: March 8, 2022
ISBN: 978-0-7358-4481-0
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Categories: CHILDREN'S FAMILY | CHILDREN'S ENTERTAINMENT & SPORTS
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A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S FAMILY
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BOOK REVIEW
SEEN & HEARD
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: CHILDREN'S ENTERTAINMENT & SPORTS
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