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THROUGH THE WINDOW

VIEWS OF MARC CHAGALL'S LIFE AND ART

Despite sparkling prose, look elsewhere.

Moishe Shagal leaves his home in Belarus and grows up to become acclaimed artist Marc Chagall.

Little Moishe looks through his window in the city of Vitebsk and sees a warm and bustling patchwork of people: “Neighbors squabble, rabbis bless, a bowlegged fiddler plays on a rooftop.” The unremarkable theme of looking through a window continues from childhood to prime of life to old age, through political turmoil and danger. But despite the tepid window-gazing motif, Rosenstock’s prose shines, from alliteration (“poets peeling pears, Cubists clinking cups”) to keen evocation (“Two-faced slivers of St. Petersburg, glittering city of czars and princes”) to fond, appropriately fanciful artwork descriptions (“A misty woman on a parti-colored rooster. Frilly acrobats tumble in the sky”). Grandpré’s illustrations, acrylic paint on board, feature plenty of recognizable Chagall images and content but lack Chagall-like vibes: The figures and compositions are too concrete, not dreamlike, and the stained glass isn’t crisp. Bizarrely, Chagall’s Judaism goes unmentioned until the author’s note, which means that anti-Semitism is missing too. Judaism’s hardly irrelevant to a name-change from Moishe Shagal to Marc Chagall, but the text praises his new name as “French, elegant, light as pâtisserie.” Even his flight from occupied France for the United States during World War II summons no reference to Judaism. Rabbis mentioned once in Vitebsk and once in later paintings don’t make up for it.

Despite sparkling prose, look elsewhere. (author’s note, art reproductions, sources) (Picture book/biography. 5-10)

Pub Date: Sept. 25, 2018

ISBN: 978-1-5247-1751-3

Page Count: 40

Publisher: Knopf

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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BEFORE SHE WAS HARRIET

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...

A memorable, lyrical reverse-chronological walk through the life of an American icon.

In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)

Pub Date: Nov. 7, 2017

ISBN: 978-0-8234-2047-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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