A rare work on Jewish liturgy that offers as much to rabbis and cantors as it does their lay congregations.
A group of prominent American rabbis reimagine the haftarah’s place in the Jewish liturgy in this collection edited by Symons.
Derived from the Hebrew word meaning conclusion, the haftarah is the final word of sacred text read or chanted before the Torah scroll is returned to the ark during Sabbaths and festivals. Its passages typically come from the Old Testament’s second half, such as Isaiah 58, in which the ancient prophet calls out the hypocrisy of Israelites for not practicing the virtues they preach. The haftarah was originally designed to be “liturgically radical,” urging listeners to “disrupt society’s oppressive hypocrisy and call attention to the plight of all those who suffer,” as Rabbi Jonah Dov Pesner says in this book’s foreword; however, many rabbis are familiar with looking out into their congregations as “eyes glaze over during the haftarah reading, which should be summoning us to action.” The idea of this volume, which features roughly 150 contributors, was born during a national conference in 2018 among Reform Jews who sought to direct the moral impulses of their religion to contemporary issues, including racial justice, voting rights, gun violence, reproductive and LGBTQ+ rights, and mass incarceration. It begins with introductory essays about prophetic readings and the origins of the haftarah; the second part provides contemporary interpretations of standard Reform haftarah texts, and the third and fourth parts offer alternative voices to address issues that correspond to the traditional Jewish calendar and American Jewish calendar. The latter includes “Brown v. Board of Education in International Context,” by Justice Ruth Bader Ginsburg for International Women’s Day and “Invisibility in Academe” by Adrienne Rich for the Transgender Day of Visibility. Vetted by an editorial advisory committee of more than a dozen rabbis and Jewish scholars, this is a well-researched work that boasts over 500 endnotes. Under the experienced eye of Symons, the editorial board’s chair, it offers scholarly bona fides and an accessible writing style that’s sensitive to contemporary liturgical needs.
A rare work on Jewish liturgy that offers as much to rabbis and cantors as it does their lay congregations.Pub Date: Feb. 15, 2023
ISBN: 9780881233704
Page Count: 562
Publisher: Central Conference of American Rabbis Press
Review Posted Online: Feb. 6, 2023
Kirkus Reviews Issue: March 15, 2023
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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