A rare work on Jewish liturgy that offers as much to rabbis and cantors as it does their lay congregations.
A group of prominent American rabbis reimagine the haftarah’s place in the Jewish liturgy in this collection edited by Symons.
Derived from the Hebrew word meaning conclusion, the haftarah is the final word of sacred text read or chanted before the Torah scroll is returned to the ark during Sabbaths and festivals. Its passages typically come from the Old Testament’s second half, such as Isaiah 58, in which the ancient prophet calls out the hypocrisy of Israelites for not practicing the virtues they preach. The haftarah was originally designed to be “liturgically radical,” urging listeners to “disrupt society’s oppressive hypocrisy and call attention to the plight of all those who suffer,” as Rabbi Jonah Dov Pesner says in this book’s foreword; however, many rabbis are familiar with looking out into their congregations as “eyes glaze over during the haftarah reading, which should be summoning us to action.” The idea of this volume, which features roughly 150 contributors, was born during a national conference in 2018 among Reform Jews who sought to direct the moral impulses of their religion to contemporary issues, including racial justice, voting rights, gun violence, reproductive and LGBTQ+ rights, and mass incarceration. It begins with introductory essays about prophetic readings and the origins of the haftarah; the second part provides contemporary interpretations of standard Reform haftarah texts, and the third and fourth parts offer alternative voices to address issues that correspond to the traditional Jewish calendar and American Jewish calendar. The latter includes “Brown v. Board of Education in International Context,” by Justice Ruth Bader Ginsburg for International Women’s Day and “Invisibility in Academe” by Adrienne Rich for the Transgender Day of Visibility. Vetted by an editorial advisory committee of more than a dozen rabbis and Jewish scholars, this is a well-researched work that boasts over 500 endnotes. Under the experienced eye of Symons, the editorial board’s chair, it offers scholarly bona fides and an accessible writing style that’s sensitive to contemporary liturgical needs.
A rare work on Jewish liturgy that offers as much to rabbis and cantors as it does their lay congregations.Pub Date: Feb. 15, 2023
ISBN: 9780881233704
Page Count: 562
Publisher: Central Conference of American Rabbis Press
Review Posted Online: Feb. 6, 2023
Kirkus Reviews Issue: March 15, 2023
Review Program: Kirkus Indie
A personal ’90s music overview that is far from definitive, but nevertheless instructive and often poignant.
An oddly entertaining collection of essays that covers more than 100 songs but doesn’t really explain the decade that created them—which may be beside the point.
A senior staff writer at the Ringer, Harvilla adapts this book from his podcast of the same name, in which he outlines the importance of a song from the 1990s and then discusses it with a guest. The adaptation can be clunky, as the author looks for writing conventions to group often disparate songs and artists together under themes like “Chaos Agents,” “Villains + Adversaries,” and “Romance + Sex + Immaturity.” The way he switches gears from rapturous praise of Celine Dion to the misheard lyrics of Hole’s “Doll Parts” is as jarring as riding with a teenager driving a stick shift for the first time. Harvilla deftly moves from explaining a song’s backstory to how it connects to him or the music of the time. However, he rarely connects a song to the outside world, which may be by design. He purposefully removes Whitney Houston’s “I Will Always Love You” from everything that came after its stunning success. “What I’m saying is that sometimes you gotta let the singer be the singer and let the song be the song, and not hold its former culture-throttling ubiquity against it, nor hold its long-term unbearable biographical baggage against it,” he writes. “Empty your mind of all unpleasant and unnecessary context.” That approach doesn’t help to explain the ’90s—musically or historically—despite what the title promises. It can be forgiven, though, because Harvilla successfully captures what the ’90s felt like through his personal stories’ intriguing observations—e.g., “paging through somebody’s CD book was…like drinking beer out of someone else’s mouth.”
A personal ’90s music overview that is far from definitive, but nevertheless instructive and often poignant.Pub Date: Nov. 14, 2023
ISBN: 9781538759462
Page Count: 288
Publisher: Twelve
Review Posted Online: Oct. 4, 2023
Kirkus Reviews Issue: Nov. 1, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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