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STACKING IN RIVERTOWN

Newcomer Bell creates an engaging and sympathetic character while skillfully exploring the nature of obsession and human...

A disturbing, often compelling first novel about a feisty young woman who’s had more than her share of abuse, cruelty, and loss but fights her way back to sanity.

Narrator Clarisse Broder, 31, is married to a rich, boring Wall Street guy with a fetish for dogs (his alarm clock doesn’t buzz, it barks). They met in a hospital, where Clarisse was supposedly recovering from an emergency appendectomy, and married a week later. As a result, there’s a lot he doesn’t know, and, despite Clarisse’s clever banter and wry sense of humor, it’s obvious that she’s haunted by sinister memories. The truth is that Beth, as she was once known, ran away from home at 16 and was taken in by a sadistic pimp named Ben, who tortured her physically and psychologically until she became a willing member of the stable of boys and girls he directed in S/M performances for the benefit of wealthy clients. The renamed Clarisse finds that a dull suburban existence isn’t enough to make her feel safe or happy, and there’s a nagging secret lurking just below her conscious recall. When the book of stories her husband encourages her to write develops a cult following, she worries that her past will be exposed. Desperate for relief, she decides to kill herself, but instead begins thinking about “a different type of suicide, the kind where you end up free, in a new life that you yourself decide.” To this end, she calls on Ben for help—a mistake that eventually prompts her to jump off the Brooklyn Bridge in an attempt to escape him. This proves to be the first step in a harrowing flight across the country, until Beth/Clarisse winds up in the arms of a woman whose love enables her to recover her memory and her life.

Newcomer Bell creates an engaging and sympathetic character while skillfully exploring the nature of obsession and human need: a graphically violent but impressive debut.

Pub Date: July 5, 2000

ISBN: 0-684-87035-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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