by Barbara Bietz ; illustrated by John Kanzler ‧ RELEASE DATE: Jan. 5, 2017
Welcoming guests and even strangers to the dinner table is part of the Shabbat ritual, and it’s celebrated nicely here.
After moving to a town in the Old West, a young, white Jewish boy and his parents find celebrating Shabbat to be a lonely tradition.
On the western frontier, Papa spends the week with his boy making his homestead ready for planting while Mama takes care of their adobe house. But on Friday, regular work is suspended to make ready for Shabbat. After lighting candles and blessing wine and challah, the family feels unsettled. “Too much soup,” says Mama. “Not enough family.” In the city back East there were always aunts, uncles, and cousins with whom to share a Shabbat meal. Reminiscing about the large, weekly family gatherings gives the boy the idea to invite their new friends and neighbors for some good old-fashioned chicken soup, thus making the next Shabbat a more joyous, communal affair. Bietz uses an oral storytelling style with repetitive phrasing to introduce the arrival of Shabbat, enfolding both details of the hardworking lives of homesteaders with Jewish cultural details. Clean lines and muted colors on a textured background illustrate a late-19th-century Western landscape and its mostly white residents (blacksmith Ricardo and his nephew, both Latino, are notable exceptions). Framed portrait drawings in gray tones portray flashbacks of the family’s much-missed relatives and are superimposed collage-style on several scenes.
Welcoming guests and even strangers to the dinner table is part of the Shabbat ritual, and it’s celebrated nicely here. (author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2017
ISBN: 978-1-939160-94-2
Page Count: 32
Publisher: August House
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Grace Lin ; illustrated by Grace Lin ‧ RELEASE DATE: Sept. 10, 2013
Tw-inspiring fiction for beginning readers.
Lin swaps her trademark cupcake for birthday cake in this cheery follow-up to Ling & Ting: Not Exactly the Same (2010).
Sporting the same haircuts they received in the first book, Chinese-American identical twins Ling and Ting return with six short stories that center on preparations for their sixth birthday. “Birthday Shopping” reveals their playful humor as each girl tries to surprise the other by entering different stores. In the toy store, Ting selects a yo-yo that she obviously wants and hopes Ling will share, and in the bookstore, Ling does the same with a book that she hopes to read. Clever readers will notice that the bookstore carries many of Lin’s titles and that Ling’s selection is none other than a miniature-sized version of the original Ling & Ting. The girls’ differing personalities and sisterly affection continue to shine in “Birthday Cakes.” As they make their own birthday cakes (because of course, each girl needs her own), Ling carefully reads the cookbook, while Ting goes about the chore with spontaneity. When only Ling’s cake is edible, she cuts it in half to share with Ting. The stories build on one another, culminating in their birthday wishes coming true. Once again Lin’s richly colored gouache artwork, based on 1950s children’s textbook illustrations, gives reason enough to celebrate.
Tw-inspiring fiction for beginning readers. (Early reader. 5-8)Pub Date: Sept. 10, 2013
ISBN: 978-0-316-18405-2
Page Count: 48
Publisher: Little, Brown
Review Posted Online: June 7, 2013
Kirkus Reviews Issue: June 15, 2013
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by P.L. Travers ; adapted by Amy Novesky ; illustrated by Geneviève Godbout ‧ RELEASE DATE: Oct. 23, 2018
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...
Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.
Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91677-8
Page Count: 32
Publisher: HMH Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by P.L. Travers ; illustrated by Júlia Sardà
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