Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...

MARY POPPINS

Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.

Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.

Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)

Pub Date: Oct. 23, 2018

ISBN: 978-1-328-91677-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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Well-meaning and with a lovely presentation, this sentimental effort may be aimed more at adults than kids.

MY LITTLE BRAVE GIRL

Little girls are given encouragement and assurance so they can meet the challenges of life as they move through the big, wide world.

Delicately soft watercolor-style art depicts naturalistic scenes with a diverse quintet of little girls portraying potential situations they will encounter, as noted by a narrative heavily dependent on a series of clichés. “The stars are high, and you can reach them,” it promises as three of the girls chase fireflies under a star-filled night sky. “Oceans run deep, and you will learn to swim,” it intones as one girl treads water and another leans over the edge of a boat to observe life on the ocean floor. “Your feet will take many steps, my brave little girl. / Let your heart lead the way.” Girls gingerly step across a brook before making their way through a meadow. The point of all these nebulous metaphors seems to be to inculcate in girls the independence, strength, and confidence they’ll need to succeed in their pursuits. Trying new things, such as foods, is a “delicious new adventure.” Though the quiet, gentle text is filled with uplifting words that parents will intuitively relate to or comprehend, the esoteric messages may be a bit sentimental and ambiguous for kids to understand or even connect to. (This book was reviewed digitally with 10.5-by-19-inch double-page spreads viewed at 50% of actual size.)

Well-meaning and with a lovely presentation, this sentimental effort may be aimed more at adults than kids. (Picture book. 6-8)

Pub Date: March 23, 2021

ISBN: 978-0-593-30072-5

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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A close encounter of the best kind.

FIELD TRIP TO THE MOON

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 6, 2019

Kirkus Reviews Issue: March 1, 2019

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