A powerful story not only about illness, but about accepting yourself for who you are—no matter the experiences that shaped...
Norah Levy is 12 and entering seventh grade, but she hasn’t been in school for the past two years: she’s been busy fighting acute lymphoblastic leukemia, and now she’s figuring out how to re-enter the “normal” world.
Norah has difficulty making the transition from cancer patient to normal middle schooler. Everyone in her grade knows her as “The Girl Who,” and Norah is tired of people treating her differently. She makes a new friend, Griffin, who shares her taste in books and mythical creatures. But she’s doing everything in her power to avoid telling him about her cancer or talking about cancer with anyone at school. She doesn’t even explain things to her best friend. Readers will feel with her as Norah struggles with how, when, and to whom she should tell her story—if at all. The moment that really sings is when Norah realizes that there are some life experiences that change you forever, and that’s not always a bad thing. Dee, whose acknowledgments hint at family experience with childhood cancer, does an exceptional job accurately depicting Norah’s struggles in a way that is translatable to those with varied understanding of illness. Norah and Griffin are white, but their school appears to be a fairly diverse one, mostly conveyed through naming conventions.
A powerful story not only about illness, but about accepting yourself for who you are—no matter the experiences that shaped you. (Fiction. 8-12)Pub Date: Sept. 5, 2017
ISBN: 978-1-4814-7851-9
Page Count: 256
Publisher: Aladdin
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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