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THE ASTONISHING WORLD

ESSAYS

Essayist, novelist, and travel writer, Harrison (Italian Days, 1989, etc.) here collects pieces drawn from such disparate magazines as Partisan Review and European Travel and Life. Together, they're meant to track her spiritual journeys through a world at once sacred and ordinary. But that asks too much from journalism and short fictions that are mostly just ordinary. Harrison's travel articles, though full of color and anecdote, develop no higher themes. Impressions of Morocco, Tuscany, Budapest, and Dubrovnik concentrate on bad odors and personal discomfort. Even in her profile of former gymnastics star Nadia Comaneci, Harrison seems obsessed with the athlete's rank smell. Portraits of Mario Cuomo and Gore Vidal succeed because the author allows these men to be themselves, witty and entertaining. On the set of The Godfather, Part III, Harrison discovers the remarkably obvious connections between Coppola's family and the Corleone saga. Equally unprofound is her essay on ``Women and Blacks and Bensonhurst,'' an attempt to contextualize the racial violence in her native Brooklyn, which includes the declaration of authority that ``My first lover was a black man.'' The two best articles return to the subject explored in Harrison's book-length study of Jehovah's Witnesses: cults. Here, she includes a chilling portrait of a dangerous messianic sect in northern Vermont. And a pilgrimage to a Yugoslavian shrine where the Virgin Mary purportedly appeared reveals the political agenda behind this recent Marian cult. The fictional pieces in this volume are the weakest: humorless bits about failed marriages, repressive families, and death. No Joan Didion, Harrison editorializes too much and edits too little.

Pub Date: July 14, 1992

ISBN: 0-395-59105-8

Page Count: 384

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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