Essayist, novelist, and travel writer, Harrison (Italian Days, 1989, etc.) here collects pieces drawn from such disparate magazines as Partisan Review and European Travel and Life. Together, they're meant to track her spiritual journeys through a world at once sacred and ordinary. But that asks too much from journalism and short fictions that are mostly just ordinary. Harrison's travel articles, though full of color and anecdote, develop no higher themes. Impressions of Morocco, Tuscany, Budapest, and Dubrovnik concentrate on bad odors and personal discomfort. Even in her profile of former gymnastics star Nadia Comaneci, Harrison seems obsessed with the athlete's rank smell. Portraits of Mario Cuomo and Gore Vidal succeed because the author allows these men to be themselves, witty and entertaining. On the set of The Godfather, Part III, Harrison discovers the remarkably obvious connections between Coppola's family and the Corleone saga. Equally unprofound is her essay on ``Women and Blacks and Bensonhurst,'' an attempt to contextualize the racial violence in her native Brooklyn, which includes the declaration of authority that ``My first lover was a black man.'' The two best articles return to the subject explored in Harrison's book-length study of Jehovah's Witnesses: cults. Here, she includes a chilling portrait of a dangerous messianic sect in northern Vermont. And a pilgrimage to a Yugoslavian shrine where the Virgin Mary purportedly appeared reveals the political agenda behind this recent Marian cult. The fictional pieces in this volume are the weakest: humorless bits about failed marriages, repressive families, and death. No Joan Didion, Harrison editorializes too much and edits too little.
Pub Date: July 14, 1992
ISBN: 0-395-59105-8
Page Count: 384
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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